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Cantar de Mio Cid [PDF]

open access: yes, 2020
Edition and Translation of el Cantar de Mio Cid, a 12th/13th-century epic poem from Castile, Spain. Edition and translation by Matthew Bailey, 2019. This is a pedagogical edition/translation with a short general introduction, notes, and a bibliography of relatively accessible chapters and books. This unit is part of Open Iberia/américa, an online, open-
Bailey, Matthew   +3 more
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Cantar de Mio Cid [español .pdf]

open access: yes, 2020
This is a pedagogical edition of a selection of el Cantar de Mio Cid (ca. 1200) with a short general introduction, notes, and brief bibliography. The edition and translation are by Matthew Bailey (2019). This unit is part of Open Iberia/América, an open access, online teaching anthology of texts from the premodern Hispanic world.
Bailey, Matthew   +3 more
openaire   +2 more sources

Cantar de Mio Cid [español .docx] [PDF]

open access: yes, 2020
This is a pedagogical edition of a selection of el Cantar de Mio Cid (ca. 1200) with a short general introduction, notes, and brief bibliography. The edition and translation are by Matthew Bailey (2019). This unit is part of Open Iberia/América, an open access, online teaching anthology of texts from the premodern Hispanic world.
Wacks, David A., Bailey, Matthew
core   +3 more sources
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THE CONQUEST OF VALENCIA IN THECANTAR DE MIO CID

Bulletin of Hispanic Studies, 1973
The section of the Cantar de Mio Cid between the defeat of Berenguer and the fall of Valencia has received relatively little serious study. In the opinion of the late Ramon Menendez Pidal, for example, the treatment afforded in these lines to the Cid's conquest of Valencia is of such small interest as to merit only the note, del principal hecho de ...
exaly   +2 more sources

The Cantar de mio Cid

Bulletin of Spanish Studies, 1989
In this study, Joseph Duggan interprets the Cantar de mio Cid as a work that transmutes moral values first into the economic values of a gift economy, then into genealogical values. Considering the poem's distortions of history more significant than its retention of historical features, Duggan ascribes its depiction of the penurious hero who acquires ...
openaire   +2 more sources

Similarity in the Three Cantares of the "Cantar de Mio Cid"

Hispania, 1976
study are as follows: the first half is sober and historical, the second is fantastic, less serious, and mostly fictitious; the assonances d, i-a and d-o predominate in the first half while the 6(e) assonance predominates in the second part; the epithets "Mio Qid don Rodrigo," "Mio Qid Roy Diaz," and "Mio ?id el de Bivar" appear four times more often ...
openaire   +1 more source

Structures from the Trivium in the 'Cantar de Mio Cid'

The Modern Language Review, 1993
The medieval poem Cantar de Mio Cid is one of the great works of Spanish literature. Its precise date is uncertain, and its author has never been identified. Some scholars believe that it was written by many authors who, over time, adapted earlier material.
Milija N. Pavlovic, James F. Burke
openaire   +1 more source

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