Results 191 to 200 of about 16,206 (244)
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2017
In its theatricality, caricature-style book illustration approximates the tableau style popular in the nineteenth century. This chapter examines book illustrations by George Cruikshank, Phiz, Richard Doyle, John Leech, and Robert Cruikshank that, like tableaux, capture a dramatic moment in works by Dickens, Ainsworth, and Thackeray.
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In its theatricality, caricature-style book illustration approximates the tableau style popular in the nineteenth century. This chapter examines book illustrations by George Cruikshank, Phiz, Richard Doyle, John Leech, and Robert Cruikshank that, like tableaux, capture a dramatic moment in works by Dickens, Ainsworth, and Thackeray.
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The Laryngoscope, 2009
AbstractThe original Vanity Fair was an English weekly magazine from 1868 to 1914. It offered its readers articles on fashion, current events, reviews of the theater, new books, reports on social events (and the latest scandals), and other trivia.Today, the old Vanity Fair is best known for its glorious caricature prints.
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AbstractThe original Vanity Fair was an English weekly magazine from 1868 to 1914. It offered its readers articles on fashion, current events, reviews of the theater, new books, reports on social events (and the latest scandals), and other trivia.Today, the old Vanity Fair is best known for its glorious caricature prints.
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Racist Cute: Caricature, Kawaii-Style, and the Asian Thing
American Quarterly, 2019:This essay engages a new iteration of racial kitsch, the anthropomorphic Asian object. Unlike ethnic Halloween costumes, American Indian mascots, and mammy cookie jars, these mundane household items evade recognition as racist caricature through their ...
L. Bow
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A Relation Network Embedded with Prior Features for Few-Shot Caricature Recognition
IEEE International Conference on Multimedia and Expo, 2019Caricature is a simple and abstract description of a person using her/his exaggerated characteristics. Due to amplified facial variations in the caricatures and significant differences among caricature and real face modalities, building vision models for
Wenbo Zheng +4 more
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2020
Dickens began writing in the 1830s in a society increasingly immersed in the material presence of visual culture, much of it humorous or satirical. How did Dickens’s early work connect with or respond to the available mass of prints, especially caricature? This chapter explores two central ideas.
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Dickens began writing in the 1830s in a society increasingly immersed in the material presence of visual culture, much of it humorous or satirical. How did Dickens’s early work connect with or respond to the available mass of prints, especially caricature? This chapter explores two central ideas.
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The Power of Caricature, Caricatures of Power
American Literary HistoryAbstract This review article assesses three new books on the “Golden Age” of caricature in Britain and the United States: Tim Clayton’s James Gillray: A Revolution in Satire (2022), Amanda Lahikainen’s Money and Materiality in the Golden Age of Graphic Satire (2022), and Alison M. Stagg’s Prints of a New Kind: Political Caricature in the
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International Environmental Agreements: Politics, Law and Economics, 2022
J. Depledge
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J. Depledge
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2016
This article presents cartoonists as patriotic propagandists mobilizing their pens and brushes for the national cause during the war. It analyses their techniques for arousing emotions such as ridicule or hate. Their particular functions, to attack the enemy and to defend their own countries, are demonstrated in cartoons about the leading ...
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This article presents cartoonists as patriotic propagandists mobilizing their pens and brushes for the national cause during the war. It analyses their techniques for arousing emotions such as ridicule or hate. Their particular functions, to attack the enemy and to defend their own countries, are demonstrated in cartoons about the leading ...
openaire +1 more source