Results 31 to 40 of about 725,938 (174)

Zwei ›Wege‹ in Beethovens drittem Klavierkonzert. Aus Anlaß des zweihundertjährigen Jubiläums der Uraufführung am 5. April 1803 in Wien [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2003
Beethovens drittes Klavierkonzert op. 37 ist in einem für die Entwicklung des Komponisten entscheidenden Zeitraum um das Jahr 1800 entstanden. In der vorliegenden Untersuchung werden einige Aspekte dieses Momentes im kompositorischen Entwicklungsprozeß ...
Tihomir Popovic
doaj   +1 more source

Interações entre a pesquisa e as práticas musicais em uma Orquestra de Câmara na Amazônia

[re]Design, 2023
Este relato de experiência docente procura analisar como a pesquisa musicológica pode servir à aprendizagem de música e à transmissão de novos conhecimentos acerca da música e da memória local ao público em geral.
Fernando Lacerda Simões Duarte
doaj   +1 more source

"Tristão e Isolda", de Carl Dahlhaus: Um breve comentário e uma tradução

Voluntas, 2014
Desde a estreia da ópera Tristão e Isolda, em 10 de Junho de 1865, muitos historiadores, musicólogos e críticos musicais escreveram inúmeros artigos e livros sobre o drama wagneriano.
Sidnei de Oliveira
doaj   +1 more source

Carl Dahlhaus, L'Esthétique de la musique, Vrin, 2015

Mondes germaniques, 2015
Résumé de l'éditeur : Premier livre publié par Carl Dahlhaus, L’Esthétique de la musique tente d’accorder deux objectifs. Il s’agit d’abord de proposer une introduction historiquement informée au vaste champ de la philosophie de la musique, qui soit ...
Céline Trautmann-Waller
openaire   +3 more sources

Schubert’s Experiments with Processual Form

Musica Theorica, 2021
This article assesses, from a process-oriented analytical perspective, the role of formal reinterpretation in Schubert’s music. The article builds on the work of Janet Schmalfeldt (in turn inspired by the analytical and philosophical processual ...
Gabriel Venegas Carro
doaj   +1 more source

The notion of nature in modern music theory and history as seen hy Carl Dahlhaus and Karol Berger [PDF]

, 2009
Modern music theory, ignoring the problems connected with the subject’s auditive experience but referring to the objective laws of nature, was criticised by Carl Dahlhaus, although he accepted - to a certain extent - the hypothesis of historical ...
Jarzębska, Alicja
core   +3 more sources

Satztechnische und strukturelle Stimmführung im frühen 18. Jahrhundert. Zur Bedeutung des Fugensoggettos für den musikalischen Zusammenhang [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2008
Zur Fuge wird eine Komposition des frühen 18. Jahrhunderts durch bestimmte satztechnische Verfahren, zur Form wird sie durch die funktionale Einheit, zu der sich die Teilmomente des Werks zusammenschließen.
Michael Polth
doaj   +1 more source

Johan Svendsen and Two‐Dimensional Sonata Form

Music Analysis, Volume 45, Issue 2, Page 177-212, July 2026.
ABSTRACT This article discusses progressive formal strategies in the music of Johan Svendsen (1840–1911). Svendsen is one of Norway's foremost composers of large‐scale orchestral music, but his works have so far garnered scant attention in Anglophone scholarship.
BJØRNAR UTNE‐REITAN
wiley   +1 more source

Cognitive Theories of Galant Music at the Margins of Experience

Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.
ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
wiley   +1 more source

Corpus Studies and ‘Close Listening’

Music Analysis, Volume 43, Issue 2, Page 191-246, July 2024.
ABSTRACT This article provides a detailed response to Markus Neuwirth and Martin Rohrmeier's article ‘Wie wissenschaftlich muss Musiktheorie sein?’, published in the Zeitschrift der Gesellschaft für Musiktheorie in 2016. I undertake to nuance their call for the wholesale adoption of machine‐assisted corpus‐based methods in music theory through a ...
NATHAN JOHN MARTIN
wiley   +1 more source