Results 61 to 70 of about 725,938 (174)

Music, Memory, History

Musicology Today
For several decades now historians have felt threatened by a loss of interest in history, even believing at times that their existence as an institution is in jeopardy [ … ].
Żerańska-Kominek Sławomira
doaj   +1 more source

A Fragment on the Emotion, “Mathesis” and Time Dimension of the Purely Musical. Marginalia with Prelude to the Afternoon of a Faun by Claude Debussy

Muzikološki Zbornik, 2007
In the dialogue What Is Music? between Carl Dahlhaus and Hans Heinrich Eggebrecht, music is defined as a “mathematized emotion” or an “emotionalized ‘mathesis’”.
Tijana Popović Mladjenović
doaj   +1 more source

Dare agli eventi una «istorica forma»: padre Martini e i primordi della storiografia musicale

Artes
What would the Foundations of Music History look like had they been written by Modern-era authors? Taking Padre Giambattista Martini’s view of music history as a lynchpin of the discussion, the first part of the article argues that some elements Carl ...
Maria Semi
doaj   +1 more source

La tonalidad. Fenómeno, concepto e historia

Co-herencia: Revista de Humanidades
Todo esfuerzo de historización del “sistema tonal”, cuyo lenguaje armónico rige de forma hegemónica la música desde el siglo XVII, corre el riesgo constante de proyectar sobre el pasado lo que la “tonalidad” significa para el historiador.
Federico García De Castro
doaj   +1 more source

Muzyka i horror. "Lśnienie" Stanleya Kubricka

Images, 2009
The Kubrick Horror Show: making music in “The Shining” This article will argue that in The Shining, Kubrick has constructed a radical semantisation of instrumental music, composed or adapted to the film.
Krzysztof Kozłowski
doaj   +1 more source

Smooth online parameter estimation for time varying VAR models with application to rat local field potential activity data. [PDF]

Stat Interface, 2023
El Yaagoubi Bourakna A, Pinto M, Fortin N, Ombao H.   +3 more
europepmc   +1 more source

L’Esthétique musicale classique et romantique

, 2019
L’Esthétique musicale classique et romantique (1988), l’ultime ouvrage de Carl Dahlhaus, est une présentation de la réflexion musicale entre l’« époque-seuil » (Kosellek) située autour de 1770 et les décennies tardives du XIXe siècle, qui marquent le ...
Carl Dahlhaus, Dahlhaus, Carl
core   +1 more source

Die Musiktheorie im 18. Und 19. Jahrhundert, Dritter Teil: Frankreich, Belgien und Italien, a cura di Stefan Keym

, 2023
La titanica impresa intorno a una Storia della teoria musicale (Geschiche der Musiktheorie) concepita e progettata da Carl Dahlhaus nel 1984 come prima parte dei Grundzüge einer Systematik curati da Frieder Zaminer (CARL DAHLHAUS, Die Musiktheorie im 18.
cafiero, r.
core  

COESÃO DISCURSIVA NOS ESTUDOS OP. 25 DE CHOPIN: ASPECTOS DE TONALIDADE E SUBTEMATISMO

Opus, 2005
Este trabalho aborda conexões entre os doze Estudos op. 25 (1837) de Fryderyk Franciszek Chopin (1810-1849). A possibilidade de unificação envolvendo essas peças já fora levantada por Charles Rosen; no entanto, para justificá-la, aqui são desenvolvidos e
Daniel Bento
doaj  

Dynamics and durability of HIV-1 neutralization are determined by viral replication. [PDF]

Nat Med, 2023
Schommers P, Kim DS, Schlotz M, Kreer C, Eggeling R, Hake A, Stecher M, Park J, Radford CE, Dingens AS, Ercanoglu MS, Gruell H, Odidika S, Dahlhaus M, Gieselmann L, Ahmadov E, Lawong RY, Heger E, Knops E, Wyen C, Kümmerle T, Römer K, Scholten S, Wolf T, Stephan C, Suárez I, Raju N, Adhikari A, Esser S, Streeck H, Duerr R, Nanfack AJ, Zolla-Pazner S, Geldmacher C, Geisenberger O, Kroidl A, William W, Maganga L, Ntinginya NE, Georgiev IS, Vehreschild JJ, Hoelscher M, Fätkenheuer G, Lavinder JJ, Bloom JD, Seaman MS, Lehmann C, Pfeifer N, Georgiou G, Klein F.   +49 more
europepmc   +1 more source