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Cavell and the "History of the Rejection of the Human"
This essay focuses on the explosive claim Cavell inserts in the middle of The Claim of Reason that a narrative history of a certain style of philosophy should be called “Philosophy and the Rejection of the Human.” In order to understand the accusation ...
Edward Guetti
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Clinical and patient reported outcomes in breast reconstruction using acellular dermal matrix
Introduction: There is a lack of published patient reported outcome measures (PROMs) for the use of acellular dermal matrix (ADM) based breast reconstruction. This cohort study reviewed our clinical outcomes and PROMs.
S. Powell-Brett, S. Goh
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In this paper, I aim to reconstruct and discuss Stanley Cavell’s interpretation and critique of analytic philosophy. Cavell objects to the tradition of analytic philosophy that, in its eagerness to provide abstract, theoretical reconstructions, it has ...
Espen Hammer
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“Epistemological Reading”: Stanley Cavell’s Method of Reading Literature [PDF]
Not many readers will recognize Disowning Knowledge: Seven Plays of Shakespeareby Stanley Cavell as either a piece of philosophical writing or literary criticism, so it may be useful to ask what method Cavell uses to read literature, what are the main ...
Magdalena Filipczuk
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The aesthetic judgment “This is art” in Stanley Cavell and Thierry de Duve
Stanley Cavell and Thierry de Duve have independently proposed that judgments of the type “This is art” are aesthetic judgments, to be understood along the lines of Kant’s analysis of the judgment of taste.
Pioter Shmugliakov, Alma Itzhaky
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The First World War at Sea: Death, Commemoration and Cultural Remembrance
Abstract Despite the ever‐increasing body of work devoted to war memorials, national days of remembrance and the commemoration of the First World War in Britain, academic focus remains firmly on the commemoration of the First World War on land. Yet, while the number of people who died at sea paled in comparison to their counterparts on the battlefield ...
ROWAN THOMPSON
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Knowledge, Love and Epistemic Uncertainty in Marlowe's Edward the Second
In Disowning knowledge in Seven Plays of Shakespeare (CUP, 1987), Stanley Cavell insists on works of art being read in « the company of philosophy » - even if, he continues, such company can sometimes be « restive, difficult, occasionally impossible ...
Mickael Popelard
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