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Endlessly Responsible: Ethics as First Philosophy in Stanley Cavell’s Invocation of Literature

open access: yesHumanities, 2019
This essay aims to give an overview of the topic ethics and literature in Stanley Cavell’s complete oeuvre. It argues that Cavell’s preoccupation with literature is, from beginning to end, primarily ethical, even though he takes his point of ...
Mette Blok
exaly   +3 more sources

The Aesthetic Judgment “This Is Art” in Stanley Cavell and Thierry De Duve

open access: yesJournal of Aesthetics and Culture, 2021
Stanley Cavell and Thierry de Duve have independently proposed that judgments of the type “This is art” are aesthetic judgments, to be understood along the lines of Kant’s analysis of the judgment of taste.
Pioter Shmugliakov, Alma Itzhaky
exaly   +2 more sources

Filosofisk vertigo [PDF]

open access: yesNorsk Filosofisk Tidsskrift, 2019
Sammendrag Filosofisk skeptisisme er et gjennomgangstema i Stanley Cavells tenkning. Formålet med denne artikkelen er å klargjøre noen sider ved Cavells konsepsjon av filosofisk skeptisisme, og å vise hvilken funksjon appeller til det Cavell,
Richard Sørli
doaj   +2 more sources

Stanley Cavell, Classical Hollywood and the Constitution of the Ordinary (With Notes on Billy Wilder)

open access: yesAM: Art + Media, 2016
When in his Tanner lectures Stanley Cavell sets out to define Ordinary Language Philosophy or – rather – to explain how it demarcates philosophy as such, he takes up psychoanalytic literary criticism in order to articulate the terms of this task. Yet the
Tatjana Jukić
exaly   +3 more sources

Introduction : Pour un programme d’inspiration cavellienne d’analyse des séries TV

open access: yesTV Series, 2021
This introductive article propose a brief overview of the contributions of Stanley Cavell in his dialogues between philosophy and cinema. It emphasizes the rock of the ordinary (in the wake of Emerson, Thoreau, Wittgenstein and Austin), the links between
Philippe Corcuff, Sandra Laugier
doaj   +1 more source

Stanley Cavell on What We Say

open access: yesJournal for the History of Analytical Philosophy, 2021
In his early essay, “Must We Mean What We Say”, Cavell argues that the claims of ordinary language philosophers regarding “what we say when” are not empirical generalizations about a given group of speakers but are rather to be understood as measuring ...
Arata Hamawaki
doaj   +1 more source

Manhunt : Unabomber : conversation avec une cabane, une boîte aux lettres et un feu tricolore

open access: yesTV Series, 2021
TV series can become “fields” in the anthropological sense, in a dialogue with Stanley Cavell’s philosophy. And these fields engage the subjectivity of the researcher like the other anthropological fields.
Laurence Espinosa
doaj   +1 more source

Aesthetics and Autobiography in Cavell

open access: yesEstetika, 2020
Stanley Cavell is one of very few philosophers who systematically reflect on the impact and influence of autobiographical detail, experience, and preferences on their philosophical work.
Jochen Schuff
doaj   +1 more source

“I Saw a Different Life. I Can't Stop Seeing It”: Perfectionist Visions in Revolutionary Road

open access: yesFilm-Philosophy, 2021
In this article, I claim that Sam Mendes’ Revolutionary Road (2008) is a recent version of the film genre that Stanley Cavell calls the “melodrama of the unknown woman”.
Paul Deb
doaj   +1 more source

El cine como espejo diferido: el concepto de transferencia en André Bazin y Stanley Cavell

open access: yesPalabra Clave, 2019
Cinema as a Delayed Mirror: The Concept of Transfer in André Bazin and Stanley Cavell O cinema como espelho diferido: o conceito de transferência em André Bazin e Stanley Cavell Este artículo rescata la visión de André Bazin para señalar su actualidad en
Lourdes Esqueda Verano
doaj   +1 more source

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