Results 31 to 40 of about 286 (165)

Film and skepticism Cavell’s „correction“ of poststructuralist philosophy of arts [PDF]

Filozofija i Društvo, 2015
The main aim of this paper is the critique of poststructuralist theory of art, and particularly thesis about the avant-garde peace of art as a kind of transgression.
Dedić Nikola
doaj   +1 more source

The Very Idea of Seriousness

European Journal of Philosophy, Volume 34, Issue 2, Page 545-558, June 2026.
Abstract What norms govern aesthetic conversations? In Hansen and Adams (2024), we argue for a norm we call, following Stanley Cavell, “the hope of agreement”, along with a requirement of “seriousness”, the “discipline of accounting for one's judgments”.
Nat Hansen, Zed Adams
wiley   +1 more source

Film and Skepticism: Stanley Cavell on the Ontology of Film

Rivista di Estetica, 2011
The present essay analyzes the reflections on the ontology of cinema in the works of Stanley Cavell. In particular, it highlights the way in which Cavell foresees in the philosophy of ordinary language as in Hollywood comedy, as many forms of that effort
Temenuga Trifonova
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Reading Nietzsche in an Age of Conspiracy Theories

Modern Theology, Volume 42, Issue 2, Page 251-275, April 2026.
Abstract This essay considers Friedrich Nietzsche's critique of Christian morality as a template for interpreting the epistemology of modern conspiracy theorists. The first section elucidates Nietzsche's notion of ressentiment as it can be applied to contemporary conspiracism. The effectiveness of this comparative assessment thus raises the question of
J.W. Olson
wiley   +1 more source

Vacío de comprensión: enfermedad del escepticismo moderno

Calle 14: Revista de Investigación en el Campo del Arte, 2011
El presente ensayo presenta las ideas de Stanley Cavell, según las cuales la enfermedad del escepticismo sólo puede ser satisfactoriamente comprendida desde una postura práctica que surja del diálogo entre filosofía, artes y literatura romántica; y entre
Jorge Peñuela
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“The Growth of Interest”. Richard Wollheim on F. H. Bradley's Moral Psychology

European Journal of Philosophy, Volume 34, Issue 1, Page 218-228, March 2026.
Abstract This paper aims to reconstruct two key stages of Richard Wollheim's engagement with the moral psychology of F. H. Bradley—first in his 1959/1969 book on Bradley, and later in his 1993 collection of essays, The Mind and its Depths—and to connect them to Wollheim's own account of a dynamic moral psychology, as detailed in The Thread of Life ...
Paolo Babbiotti
wiley   +1 more source

Of Carcasses and Christ: Rereading the Repugnant Ecological Other

Journal of Religious Ethics, Volume 54, Issue 1, Page 76-99, March 2026.
ABSTRACT This essay claims that a collection of hunting and fishing devotionals provincializes a common trope in environmental literatures: the figure of the repugnantly anti‐ecological conservative Protestant. A close reading of these texts reveals their authors’ and ideal audiences’ extensive knowledge of land and animal minds, which deflates their ...
Colin B. Weaver
wiley   +1 more source

Rosalind Krauss: between modernism and post-medium [PDF]

Journal of Art Historiography, 2020
‘Rosalind Krauss: Between Modernism and Post-Medium’ is a response to an essay, ‘Automat, Automatic, Automatism: Rosalind Krauss and Stanley Cavell on Photography and the Photographically Dependent Arts’, by Irish aesthetic philosopher Diarmuid Costello ...
Rex Butler
doaj  

HOW DOES MENTAL TIME TRAVEL IN THE EUCHARIST AID PSYCHOSPIRITUAL GROWTH?

The Heythrop Journal, Volume 67, Issue 1, Page 17-32, January 2026.
Abstract This paper innovatively connects the Eucharist, which is usually considered to be in the domain of theology, with the concept of personality‐growth—the idea that a person’s personality can get better—which is usually considered to be in the domain of experimental psychology.
Buki Fatona
wiley   +1 more source

Stanley Cavell

This profile on Stanley Cavell comprises five sections. The first provides a brief overview of Cavell’s intellectual biography. The second addresses the themes of the ordinary and skepticism, concentrating on Cavell’s engagement with Wittgenstein, Austin, Freud, and Heidegger. The third section is devoted to Cavell’s theoretical reflections on the arts
  +8 more sources