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Cecilia Vicuña, León de Oro en la Bienal de Venecia 2022 [PDF]

, 2022
Nota sobre la entrega ddel León de Oro a la Trayectoria a la artista chilena Cecilia Vicuña en la Bienal de Venecia ...
López, Julio
core +2 more sources

SARS‐CoV‐2 infection and venous thromboembolism after surgery: an international prospective cohort study

Anaesthesia, Volume 77, Issue 1, Page 28-39, January 2022., 2022
Summary SARS‐CoV‐2 has been associated with an increased rate of venous thromboembolism in critically ill patients. Since surgical patients are already at higher risk of venous thromboembolism than general populations, this study aimed to determine if patients with peri‐operative or prior SARS‐CoV‐2 were at further increased risk of venous ...
COVIDSurg Collaborative +16163 more
wiley +1 more source

Timing of surgery following SARS‐CoV‐2 infection: an international prospective cohort study

Anaesthesia, Volume 76, Issue 6, Page 748-758, June 2021., 2021
Summary Peri‐operative SARS‐CoV‐2 infection increases postoperative mortality. The aim of this study was to determine the optimal duration of planned delay before surgery in patients who have had SARS‐CoV‐2 infection. This international, multicentre, prospective cohort study included patients undergoing elective or emergency surgery during October 2020.
COVIDSurg Collaborative and GlobalSurg Collaborative +16154 more
wiley +1 more source

Transtexuality and the Precarious Materials of Dissent (1973): Radicalism in Cecilia Vicuña, Felipe Ehrenberg and the Beau Geste Press (1970–1976)

Bulletin of Latin American Research, Volume 40, Issue 2, Page 267-284, April 2021., 2021
The article analyses the material strategies of dissent through two transtextual bookworks, Cecilia Vicuña's Sabor a mi (Vicuña, 1973) and Felipe Ehrenberg's Pussywillow (1973) produced at the Beau Geste Press radical collective. Contesting Pinochet's coup in Chile, they resorted to visibly undisciplined responses to ‘the New Disorder now in power ...
Erica Segre
wiley +1 more source

Identidades ch’ixi en el borderland: el multilingüismo decolonial en dos obras poéticas de Cecilia Vicuña y de Pilar Rodríguez Aranda

Mitologías Hoy, 2021
Este artículo propone un análisis comparativo del vídeopoema Ella es frontera/Border She Is (1995-2001) de la poeta mexicana Pilar Rodríguez Aranda, y del poema “Instan” (2002) escrito e interpretado en una performance por la artista chilena Cecilia ...
Camille Dasseleer
doaj +1 more source

The Performative Forum: Women, Body and Memory in the Foro de Escritores Chile

Mistral, 2021
This article examines the contributions of three contemporary Chilean women poets, Cecilia Vicuña, Anamaría Briede and Luna Montenegro to the UK Writers Forum and its Chilean counterpart, El Foro de Escritores.
Jèssica Pujol Duran
doaj +1 more source

Aguas y ríos: Activismo, descolonización y naturaleza en Cecilia Vicuña y Ana Tijoux

Latin American Research Review, 2020
Two recent productions of Vicuña and Tijoux are analyzed in this article: the Quipu Mapocho installation (2017) and the song “Río abajo” (2014), respectively.
María José Barros
doaj +1 more source

Vicuña, Cecilia. New and Selected Poems of Cecilia Vicuña. Edited and translated by Rosa Alcalá. Berkeley: Kelsey Street Press, 2018. 370 pp. [PDF]

, 2019
Vicuña, Cecilia. New and Selected Poems of Cecilia Vicuña . Edited and translated by Ros a Alcalá. Berkeley: Kelsey Street Press, 2018.
Signorini, Federica
core +1 more source

Da palavra ao fio: as tessituras fluidas de Cecília Vicuña

Revista Estudos Feministas, 2019
No livro La Realidade Es una Línea (1994), Cecília Vicuña (n. 1947), poeta e artista chilena, sintetiza uma das mais poderosas metáforas que atravessam toda a sua obra visual e poética: a confluência entre fio (objeto) e linha (representação), que urdem
Márcia Oliveira
doaj +1 more source

Editorial #23. Digital Memories. What future for the past? What past for the future? [PDF]

Pad, 2022
For this first PAD journal issue dedicated to the theme of Digital Memories, we have chosen, as the opening image, a quipu (or khipu). The image represents the artistic interpretation made by Cecilia Vicuña on the occasion of her exhibition, still in ...
Letizia Bollini, Francesco E. Guida
doaj

quipu
language and literature
sars-cov-2

covid-19
debido proceso