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The Choir Screen of Cluny III

Art Bulletin, 1984
Eighty-three sculptured fragments from the abbey of Cluny are attributed to the choir screen of Cluny III, constituting the only large-scale low chancel closure to survive from Romanesque France. In type, the arcaded screen is conceived as sculpture in scale, decoration, and construction, yet it parallels the motifs, workmanship, and even the ...
C. Edson Armi, Elizabeth Bradford Smith
exaly   +4 more sources

A Nativity Cycle for the Choir Screen of San Marco, Venice

open access: yesConvivium, 2020
The article offers new evidence concerning a set of sculptures carved in pietra d’Aurisina for the Basilica of San Marco in Venice.
Ludovico V. Geymonat, Lorenzo Lazzarini
openaire   +2 more sources

Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches

Art Bulletin, 2000
From the Reformation onward, the monumental screens erected at the boundary of nave and choir in Western Gothic churches have been perceived as barricades, self-consciously designed to exclude the lay faithful from liturgical activities. Concentrating on surviving thirteenth-century examples, this study offers an alternative understanding of the ...
Jacqueline E Jung
exaly   +2 more sources

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