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Help us document what we already do: pilot study of clinical decision support tools targeting social risk-informed care. [PDF]
Pisciotta M +9 more
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Trust and perceived mental health access: Exploring the relationship between perceived access barriers and veteran-reported trust. [PDF]
Pyne JM +10 more
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Validation of a simple body map to measure widespread pain in urologic chronic pelvic pain syndrome: A MAPP Research Network study. [PDF]
Clemens JQ +17 more
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Leisure Activities of Service Users in Psychiatric Rehabilitation- An Overlooked Avenue for Social Inclusion? Results from a Comparative Cross-Sectional Survey. [PDF]
Häberli J, Richter D, Mötteli S.
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The Art Bulletin, 1984
Eighty-three sculptured fragments from the abbey of Cluny are attributed to the choir screen of Cluny III, constituting the only large-scale low chancel closure to survive from Romanesque France. In type, the arcaded screen is conceived as sculpture in scale, decoration, and construction, yet it parallels the motifs, workmanship, and even the ...
C. Edson Armi, Elizabeth Bradford Smith
openaire +3 more sources
Eighty-three sculptured fragments from the abbey of Cluny are attributed to the choir screen of Cluny III, constituting the only large-scale low chancel closure to survive from Romanesque France. In type, the arcaded screen is conceived as sculpture in scale, decoration, and construction, yet it parallels the motifs, workmanship, and even the ...
C. Edson Armi, Elizabeth Bradford Smith
openaire +3 more sources
Sacrament and sculpture: liturgical influences on the choir screen of modena cathedral
Material Religion, 2008ABSTRACTThe twelfth-century choir screen, or pontile, sculpted with Passion scenes by the Campionesi for Modena Cathedral, Italy, dominates the nave and dictates both visual and physical access to the sacred east end of the church. In the past, such monuments were viewed primarily as barriers between the privileged clerics and the laity but recently ...
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Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches
The Art Bulletin, 2000From the Reformation onward, the monumental screens erected at the boundary of nave and choir in Western Gothic churches have been perceived as barricades, self-consciously designed to exclude the lay faithful from liturgical activities. Concentrating on surviving thirteenth-century examples, this study offers an alternative understanding of the ...
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