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, 2019 Some of the next articles are maybe not open access.
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Journal of the Royal Asiatic Society of Great Britain & Ireland, 1937
Under this heading Mr. A. C. Banerji discusses in pages 655–666 of the JRAS. for 1935 the northern invasion of Rājēndra, the Gangaikoṇḍa-Chola, on which subject I made a contribution long ago to the late Sir Asutosh Mukerjee Commemoration Volumes, which article appeared in a slightly revised form in the Journal of Indian History, volume ii, pp. 317–369,
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Under this heading Mr. A. C. Banerji discusses in pages 655–666 of the JRAS. for 1935 the northern invasion of Rājēndra, the Gangaikoṇḍa-Chola, on which subject I made a contribution long ago to the late Sir Asutosh Mukerjee Commemoration Volumes, which article appeared in a slightly revised form in the Journal of Indian History, volume ii, pp. 317–369,
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International Journal of Critical Cultural Studies
<p class="ql-align-justify">Cognitive Film Theory (CFT) illuminates how cinematic techniques redistribute cognitive labor from literary interiority to viewer inference, emotional calibration, and cultural memory reconstruction in Tamil historical film adaptations. This article demonstrates how Mani Ratnam’s <em>Ponniyin Selvan</em>: I
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<p class="ql-align-justify">Cognitive Film Theory (CFT) illuminates how cinematic techniques redistribute cognitive labor from literary interiority to viewer inference, emotional calibration, and cultural memory reconstruction in Tamil historical film adaptations. This article demonstrates how Mani Ratnam’s <em>Ponniyin Selvan</em>: I
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exaly +2 more sources
Journal of the Royal Asiatic Society, 1935
The latter part of the tenth century of the Christian era gradually ushered in a new epoch in the history of India. In northern India the old kingdoms, which had dominated the political arena so long, made their exit, and new powers rose to take their place.
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The latter part of the tenth century of the Christian era gradually ushered in a new epoch in the history of India. In northern India the old kingdoms, which had dominated the political arena so long, made their exit, and new powers rose to take their place.
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Meridians, 2019
Abstract This essay showcases the work of Claudia Coca, a contemporary pop artist from Lima, Peru whose paintings and drawings critique the links between race, gender, and class in a decolonial, transnational frame. First, the essay explores the way Coca celebrates the Peruvian chola by presenting herself as an empowered subject instead ...
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Abstract This essay showcases the work of Claudia Coca, a contemporary pop artist from Lima, Peru whose paintings and drawings critique the links between race, gender, and class in a decolonial, transnational frame. First, the essay explores the way Coca celebrates the Peruvian chola by presenting herself as an empowered subject instead ...
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Homegirl epistemologies gather, retrofit, and imagine from nontraditional histories and countersites where communities name themselves and tell their own stories in their own words. Using women of color feminism, queer of color critique and textual analysis I unpack the lives of “Revolutionary Cholas,” “Ride or Die Cholas,” “Welfare Cholas,” and ...
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