Results 11 to 20 of about 43,721 (244)
Dance-making on the internet: can on-line choreographic projects foster creativity in the user-participant? [PDF]
, 2002 Interactive Internet artworks invite viewers to become involved as user-participants as the creative process unfolds. Through analysis of selected Internet projects, the authors discuss the potential for facilitating an interactive, creative experience ...
Jacqueline Smith-Autard +2 more
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Screendance as enactment in Maya Deren’s At Land
DATJournal, 2018 The dancer, choreographer, and filmmaker Maya Deren can be seen as one of the pioneers of screendance. Her experimental films have challenged conventional plot- driven mainstream cinema by emphasizing an ambiguous experience, open for multiple ...
Pia Tikka
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SPECIFICS OF POSITIONING THE BODY AND LEGS OF STUDENTS AT THE INITIAL STAGE OF TEACHING CLASSICAL DANCE [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2022 The article deals with one of the main problems of classical dance pedagogy – the positioning of the body and legs of students without secondary professional choreographic education, studying choreography at a higher educational institution to become ...
CASIAN, TATIANA
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Choreographing architecture [PDF]
, 2021 Our bodies are in constant dialogue with our built environment: we move to experience architecture, and in turn, are moved by its presence. Movement is intrinsically linked to the way we experience our buildings, yet the body in motion has not been acknowledged for understanding and conceiving architectural form.
openaire +1 more source
The International Journal of Screendance, 2015 This is a conversation between Heike Salzer, Artistic Director of Salts and Ana Baer, Artistic Co-Director of the Sans Souci Festival of Dance Cinema. They talk about the creative process of a videographer, the Sans Souci Festival, and the importance of ...
Heike Salzer, Ana Baer
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Journal of Education, Health and Sport, 2020 The article is devoted to one of the current problems in vocational education – the formation of future choreographers information and communication competence (ICC).
Olena Avramenko, Serhii Humeniuk
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Usar la filosofía de Wittgenstein para eliminar conceptos erróneos en la práctica de la danza. Un enfoque cuádruple [PDF]
, 2019 A fourfold use of Wittgenstein’s later philosophy in order to tackle fundamental conceptual misconceptions in the domain of dance practice is proposed: the extension to dance of the insights of his remarks on other arts, the application to dance ...
Carmona Escalera, Carla
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, 2019 This essay addresses how Africanist choreography operates as a practice of cultural citizenship, focussing on the work of Thomas ‘Talawa’ Prestø as a leading figure in shaping the cultural sphere for choreography based on African and diaspora forms in ...
Adewole, Funmi
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Danza e Ricerca, 2022 This essay intends to return the productive story and the articulated artistic events of Juliet and Romeo, a long-lived classic signed by the choreographer and director Fabrizio Monteverde.
Francesca Magnini
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Pamiętnik Teatralny, 2018 Daniel Kurtz (Curz, Kurz, Kurc), the ballet master of the Narodowy Theatre under the reign of King Stanisław August, was an outstanding dancer and author of numerous ballets admired by the public.
Jarosław Komorowski
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