Results 21 to 30 of about 729 (200)
A Core Model for Choreographic Programming [PDF]
Theoretical Computer Science, 2017 Choreographic Programming is a programming paradigm for building concurrent programs that are deadlock-free by construction, as a result of programming communications declaratively and then synthesising process implementations automatically. Despite strong interest on choreographies, a foundational model that explains which computations can be ...
Luís Cruz-Filipe, Fabrizio Montesi
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Pamiętnik Teatralny, 2018 Daniel Kurtz (Curz, Kurz, Kurc), the ballet master of the Narodowy Theatre under the reign of King Stanisław August, was an outstanding dancer and author of numerous ballets admired by the public.
Jarosław Komorowski
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Choreographer/Researcher/Teacher
Nordic Journal of Art and ResearchThis article follows the becoming-artographic of four colleagues working within the field of dance pedagogy at Stockholm University of the Arts. The four colleagues – Tone, Camilla, Stina and Madelaine - are part of a larger professional learning ...
Tone Pernille Østern +3 more
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Reasoning About Choreographic Programs
, 2023 Choreographic programming is a paradigm where a concurrent or distributed system is developed in a top-down fashion. Programs, called choreographies, detail the desired interactions between processes, and can be compiled to distributed implementations based on message passing.
Luís Cruz-Filipe +3 more
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Visitor‐I and dual worldmaking: Queer museology between Tuntenhaus and the Schwules Museum
Feminist Anthropology, EarlyView.Abstract This article develops the visitor‐I as an embodied protocol for analyzing how queer archival exhibitions choreograph perception, affect, and learning, and it uses dual worldmaking as a bounded heuristic to name the relation between lived worldmaking in the Tuntenhaus squat and curatorial worldmaking in the museum, and I argue that the visitor ...
Melike Atmanoğlu
wiley +1 more source
Procedural Choreographic Programming [PDF]
, 2017 Choreographic Programming is an emerging paradigm for correct-by-construction concurrent programming. However, its applicability is limited by the current lack of support for reusable procedures. We propose Procedural Choreographies (PC), a choreographic language model with full procedural abstraction.
Luís Cruz-Filipe, Fabrizio Montesi
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No Apologies? The Role of Apology for Structural‐Historical Injustice
Journal of Applied Philosophy, EarlyView.ABSTRACT During this era of political apologies, a new literature has emerged in historical injustice interrogating the relationship between structural and historical injustice, with various theories conceptualising the relationship in different ways. Interestingly, ‘apology’ rarely appears in this literature.
Maeve McKeown
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In search of the past: the phenomenon of the Russian ballet in exile in the 20th century
Polilog: Studia Neofilologiczne, 2015 In search of the past: the phenomenon of the Russian ballet in exile in the 20th century The paper investigates the phenomenon of the Russian ballet in exile in the twentieth century. It highlights that the art of the ballet is a little studied part of
Joanna Mianowska
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The Hero in the Wrong Way. About Kassian Goleizovsky’s Heroic Study
Danza e Ricerca, 2020 The article presents a case study of the dance solo Heroics (or Heroic study, from the ballet Scriabiniana) of the Russian avant-garde choreographer Kassian Goleizovsky (1892-1970). This study proposes a methodological approach based on movement analysis,
Polina Manko
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Can Journalism Be Danced? From the History of 19th Century British Ballet
Современные проблемы музыкознания, 2023 In 1898 the ballet titled The Press was staged at the Empire Theatre in London. Choreographer and producer Katti Lanner, composer Leopold Wenzel and costume designer C.
Yulia I. Agisheva
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