Results 21 to 30 of about 12,467 (249)
A Core Model for Choreographic Programming [PDF]
Choreographic Programming is a programming paradigm for building concurrent programs that are deadlock-free by construction, as a result of programming communications declaratively and then synthesising process implementations automatically. Despite strong interest on choreographies, a foundational model that explains which computations can be ...
Luís Cruz-Filipe, Fabrizio Montesi
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This is a conversation between Heike Salzer, Artistic Director of Salts and Ana Baer, Artistic Co-Director of the Sans Souci Festival of Dance Cinema. They talk about the creative process of a videographer, the Sans Souci Festival, and the importance of ...
Heike Salzer, Ana Baer
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Daniel Kurtz (Curz, Kurz, Kurc), the ballet master of the Narodowy Theatre under the reign of King Stanisław August, was an outstanding dancer and author of numerous ballets admired by the public.
Jarosław Komorowski
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Video of the choreographer preparing the dancers of the Sanggar Warisan Pulau Penyengat to perform 'Bilik 44' at the Gawai Seni Tanjungpinang and elsewhere.For more information about this recording, see Chapter 12, 'Malay art music composers and ...
Geoffrey Benjamin (6422962)
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Choreographer/Researcher/Teacher
This article follows the becoming-artographic of four colleagues working within the field of dance pedagogy at Stockholm University of the Arts. The four colleagues – Tone, Camilla, Stina and Madelaine - are part of a larger professional learning ...
Tone Pernille Østern +3 more
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Reasoning About Choreographic Programs
Choreographic programming is a paradigm where a concurrent or distributed system is developed in a top-down fashion. Programs, called choreographies, detail the desired interactions between processes, and can be compiled to distributed implementations based on message passing.
Luís Cruz-Filipe +3 more
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Procedural Choreographic Programming [PDF]
Choreographic Programming is an emerging paradigm for correct-by-construction concurrent programming. However, its applicability is limited by the current lack of support for reusable procedures. We propose Procedural Choreographies (PC), a choreographic language model with full procedural abstraction.
Luís Cruz-Filipe, Fabrizio Montesi
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Visitor‐I and dual worldmaking: Queer museology between Tuntenhaus and the Schwules Museum
Abstract This article develops the visitor‐I as an embodied protocol for analyzing how queer archival exhibitions choreograph perception, affect, and learning, and it uses dual worldmaking as a bounded heuristic to name the relation between lived worldmaking in the Tuntenhaus squat and curatorial worldmaking in the museum, and I argue that the visitor ...
Melike Atmanoğlu
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No Apologies? The Role of Apology for Structural‐Historical Injustice
ABSTRACT During this era of political apologies, a new literature has emerged in historical injustice interrogating the relationship between structural and historical injustice, with various theories conceptualising the relationship in different ways. Interestingly, ‘apology’ rarely appears in this literature.
Maeve McKeown
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In search of the past: the phenomenon of the Russian ballet in exile in the 20th century
In search of the past: the phenomenon of the Russian ballet in exile in the 20th century The paper investigates the phenomenon of the Russian ballet in exile in the twentieth century. It highlights that the art of the ballet is a little studied part of
Joanna Mianowska
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