Results 51 to 60 of about 43,721 (244)

Dance as an Expression of Faith: Balanchine and Me [PDF]

open access: yes, 2020
Current research in the dance field is focused largely on the impact of culture and religion on movement. However, as an Orthodox Christian, I became aware that the influence of Orthodoxy on dance was under-researched.
Chiafos, Demetra
core  

Copyright and cultural work: an exploration [PDF]

open access: yes, 2012
This article first discusses the contemporary debate on cultural “creativity” and the economy. Second, it considers the current state of UK copyright law and how it relates to cultural work.
Banks M.   +29 more
core   +1 more source

Robo‐Saber: Generating and Simulating Virtual Reality Players

open access: yesComputer Graphics Forum, EarlyView.
Abstract We present the first motion generation system for playtesting virtual reality (VR) games. Our player model generates VR headset and handheld controller movements from in‐game object arrangements, guided by style reference gameplay examples. We train on the large BOXRR‐23 dataset and apply our framework on the popular VR game Beat Saber.
N. H. Kim   +5 more
wiley   +1 more source

Mayday, Mayday, Mayday! Moving from European discourses on the precarious and art to the realities of contemporary dance [PDF]

open access: yes, 2019
In this article, we encapsulate several key debates in sociology, cultural and arts politics and the media industry on precarious work since its emergence at the turn of the twenty-first century. After setting out the fundamental discourses on precarity,
Laermans, Rudi   +2 more
core   +1 more source

Curating Spaces: Showcasing Indigenous Identity Through Collaborative Art Practices at a University Campus

open access: yesCurator: The Museum Journal, EarlyView.
ABSTRACT Within Aotearoa New Zealand there is a growing body of evidence which shows that embedding cultural elements within student experience is a key contribution to the educational success of Māori and Pasifika students. This article describes how the Waipapa Taumata Rau University of Auckland Art Collection team collaborates with indigenous ...
Nigel Bond   +2 more
wiley   +1 more source

Read Aloud Scaffolding for Language and Content Learning With Emergent Bilinguals: Quadrants of Engagement

open access: yesInternational Journal of Applied Linguistics, EarlyView.
ABSTRACT This study investigates the types of scaffolding strategies employed by elementary teachers during read aloud sessions, with a specific focus on emergent bilingual students. Through a multi‐site explanatory case study involving 14 elementary teachers across four districts, we analyzed the frequency and quality of scaffold use, categorizing ...
Qingli Lei   +2 more
wiley   +1 more source

Courtship display behavior influences tail myology in Centrocercus minimus (Gunnison sage‐grouse)

open access: yesJournal of Anatomy, EarlyView.
Courtship displays among birds are widespread, particularly those which incorporate raised tail feathers for extended periods of time. The Gunnison sage‐grouse (Centrocercus minimus) is such a species. When we compared the tail muscles of the sage‐grouse to birds which do not engage in erected tail fan postures, both morphology proportional mass ...
Alexander D. Clark   +3 more
wiley   +1 more source

Educaţia dansului şi influenţa materiilor cu care acesta se intersectează în formarea dansatorului coregraf

open access: yesSymbolon, 2020
The Influence of Dance Programe Curricullum in Dancer-Choreographer’s Education Theoretically, but practically as well, the choreographer is a dancer and the dancer a choreographer.
Kinga Kis-Luca
doaj  

INTERPRETATION OF LITERARY CHARACTERS IN BALLET : EPISODES FROM THE CREATIVE EXPERIENCE OF BORIS EIFMAN [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2017
This article presents a brief analysis of the Boris Eifman Ballet Theatre and especially brings out the relationship between the choreographer, his conception, the new choreographic language and classical literature. Emphasis is laid on the choreographer`
BEȚIȘOR ANGELA
doaj  

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