Results 71 to 80 of about 12,467 (249)

THE PERSONALITY OF CHOREOGRAPHER

open access: yes, 2007
Using personality psychology as my starting point, I make an attempt in this thesis at describing the personality of the choreographer. More specifically, my prime concern on the pages that follow is the choreographer?s talent, which is also why the ...
Cemerek, Jaroslav
core  

Mark Morris: Musician-Choreographer

open access: yes, 2018
Mark Morris: Musician-Choreographer by Stephanie Jordan is unusual in many ways, and there are hardly any volumes to which it can be compared. That alone sets this study apart from other recent titles on choreographers and their works.
Marion Kant
core   +1 more source

​​TECHNIQUE AND STYLE OF GEORGE BALANCHINE SCHOOL

open access: yesAccelerando: BJMD, 2016
Creativity of any outstanding master in any art has always attracted and attracts keen interest. One of the most influential figures in the 20th century, who created the classical Ballet in America, was George Balanchine.
Petr A. Silkin
doaj  

Intorno alla danza e al movimento non professionali

open access: yesDanza e Ricerca, 2018
Trough the paper Around the dance and the non professional movement the Argentinian choreographer and pedagogue Susana Zimmermann remembers her own first and precocious experiences of dance laboratory with not professionals, conceived and realized by her
Susana Zimmermann
doaj   +1 more source

Political Naturalisation: Conscripting Transit Citizens in the United Arab Emirates

open access: yesStudies in Ethnicity and Nationalism, EarlyView.
ABSTRACT Since its formation, the United Arab Emirates has sought to construct a cohesive sense of national identity among its citizens, centred on a system of material and legal privileges granted exclusively to Emirati nationals. A pillar of its nation‐building project was the strict exclusion of foreigners from citizenship and the upholding of a ...
Mira Al Hussein
wiley   +1 more source

The Far End of the Garden. A profile of choreographer Jonathan Burrows

open access: yes, 1991
Jonathan Burrows removing make-up; end of performance at Royal Opera House, Covent Garden; theatre bar; dancers rehearsing. Burrows’s VO talking about the curious relationship between the Jonathan Burrows Group and the Royal Ballet in which a small ...

core  

CHOREOGRAPHIC PROCESS IN GYMNASTICS FOR ALL

open access: yesScience of Gymnastics Journal, 2019
To transcend the idea of objectifying the body and its movements in gymnastics and its technique-based sessions and/or classes, we propose some reflection on   the artistic and aesthetic aspects of gymnastics for the Gymnastics for All (GfA) program. Officially guided by FIG (Féderation Internationale de Gymnastique), it is common that GfA composition ...
Carbinatto, Michele Viviene   +1 more
openaire   +3 more sources

Narrative reconstruction of the self: Living funerals as rituals of trauma and transformation

open access: yesThe Australian Journal of Anthropology, EarlyView.
Abstract Living funerals mark a radical reconfiguration of contemporary engagements with mortality, transforming death from an imposed ending into an actively authored narrative. This study examines the practice in Hong Kong's hybrid sociocultural landscape, where traditional Chinese death rituals collide with neoliberal selfhood and globalised ...
Yuen‐Ki Tang
wiley   +1 more source

Spaceborne and spaceborn: Physiological aspects of pregnancy and birth during interplanetary flight

open access: yesExperimental Physiology, EarlyView.
Abstract Crewed interplanetary return missions that are on the planning horizon will take years, more than enough time for initiation and completion of a pregnancy. Pregnancy is viewed as a sequence of processes – fertilization, blastocyst formation, implantation, gastrulation, placentation, organogenesis, gross morphogenesis, birth and neonatal ...
Arun V. Holden
wiley   +1 more source

La conservation et la valorisation des archives de la chorégraphe Mié Coquempot

open access: yesIn Situ
This article recounts questions—still not fully answered today—raised by the K622 Company founded in 1998 by the choreographer Mié Coquempot who directed this company until her death in 2019.
Yann Calbérac, Jessica Chauffert
doaj   +1 more source

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