Results 81 to 90 of about 43,721 (244)

La conservation et la valorisation des archives de la chorégraphe Mié Coquempot

open access: yesIn Situ
This article recounts questions—still not fully answered today—raised by the K622 Company founded in 1998 by the choreographer Mié Coquempot who directed this company until her death in 2019.
Yann Calbérac, Jessica Chauffert
doaj   +1 more source

National Dances of The Nutcracker : A Study of Racial, Cultural, and National Depictions in a Classical Ballet [PDF]

open access: yes, 2018
Character development is a large component of ballet performance that is integrated into each rehearsal process leading up to the show. In this year’s production of The Nutcracker, I danced the role of Chinese Soloist. As I began my character development,
Hunter-Mason, Meredith
core   +1 more source

Beyond CUDOS and DECAY: Mapping Research Norms With an Institutional Logics Wheel

open access: yesEuropean Journal of Education, Volume 61, Issue 2, June 2026.
ABSTRACT The normative landscape of academic research is increasingly fragmented. Classical CUDOS norms and counternorms coexist across profession, market, corporation, state and community logics, yet existing scholarship rarely explains how these norms are patterned, how they interact, or how tensions between them are mediated. This conceptual article
Yuzhuo Cai, Bruce Macfarlane
wiley   +1 more source

Tubuh yang Mencipta Momen: Praktik Negosiasi Tubuh dalam Tari Wajah Karya Hartati

open access: yesJurnal Kajian Seni, 2019
The practice of the body in contemporary dance is always marked by novelty and invention. For Indonesian choreographers, contemporary dance is a practice of negotiation that brings the influence of tradition from the past into contemporary body.
Roza Muliati   +2 more
doaj   +1 more source

Service Work as Lived Experience: A Problematizing Review

open access: yesHuman Resource Management, Volume 65, Issue 3, Page 731-748, May/June 2026.
ABSTRACT Between employee burnout and growing recruitment challenges, a systemic crisis confronts the service industry. One reason lies in the scope of received human resource management (HRM) approaches, which often emphasize organizational performance metrics at the expense of the emotional, social, and material experiences of doing frontline service
Kushagra Bhatnagar   +2 more
wiley   +1 more source

Review of All This Can Happen, by Siobhan Davies and David Hinton

open access: yesThe International Journal of Screendance, 2016
All This Can Happen, a 50-minute film by David Hinton and choreographer Siobhan Davies, opens with images of men who cannot walk. One lies immobile in a hospital bed, his head trembling, eyes vacant with torment. Another, also institutionalised, tries to
Sanjoy Roy
doaj   +1 more source

The Addams Family Playbill [PDF]

open access: yes, 2015
Providence College Department of Theatre, Dance & Film Angell Blackfriars Theatre, Smith Center for the Arts THE ADDAMS FAMILY: A MUSICAL COMEDY Music and lyrics by Andrew Lippa Book by Marshall Brickman and Rick Elice . October 30- November 1 & November
Providence College
core   +1 more source

Creating new stories for praxis: navigations, narrations, neonarratives [PDF]

open access: yes, 2007
This paper considers differing understandings about the role and praxis of studio-based research in the visual arts. This is my attempt to unpack this nexus and place it in a context of credibility for our field.
Stewart, Robyn
core   +1 more source

Acting authentically: Using play to cultivate authentic interrelating in role performance

open access: yesJournal of Organizational Behavior, Volume 47, Issue 4, Page 527-549, May 2026.
Summary Research is increasingly demonstrating that authenticity and human connection are fundamental and interrelated human needs. However, organizational roles often constrain authenticity and connection in workplace interactions, especially roles that are highly scripted.
Lyndon E. Garrett
wiley   +1 more source

BALLET FOR CHILDREN AT THE SERBIAN NATIONAL THEATRE IN NOVI SAD (1972-2017)

open access: yesAccelerando: BJMD, 2018
Ballets for children have been recognized as a unique genre of the dance art. From the point of children ballet production of the Yugoslav ballet assembly very little was documented, and this particularly referred to the Serbian production.
Svenka Savić
doaj  

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