Results 111 to 120 of about 22,095 (253)
#6 [Title?] - choreography by David Dorfman, October 22, 1993
, 1993 Sharir Dance Company, 10-21-93; David Dorfman, 10-22-93. Choreography: Jose Luis Bustamante (#1), Yacov Sharir (#2), Doug Varone (#3), David Dorfman (#4, 5, 6). Dance Company: Sharir Dance Company and David Dorfman. Dancers: Yacov Sharir, Lynn Grossman (#
David Dorfman Dance +5 more
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The Journal of Physiology, EarlyView.Abstract figure legend The capillary–mitochondria–ion channel (CMIC) axis scales structural resources to match functional workload. (Left) In settings of restricted energetic capacity (e.g. cortical neurons), sparse capillary networks and modest mitochondrial pools set a lower energetic ceiling, sufficient to support phasic, low‐workload excitability. (
L. Fernando Santana, Scott Earley
wiley +1 more source
, 2013 This learning package contains the following materials: Teacher Notes; instructions for students about two e-learning assessment tasks: The Artist’s Sketchbook: A Process Space, and the Reflective Commentary; list of resources; list of additional tasks.
University of Surrey +2 more
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, 2012 "Gallery TPW is pleased to present Social Choreography, a group exhibition curated by Julia Paoli. Works by Francisco-Fernando Granados (Canada), Igor Grubić (Croatia) and Emily Roysdon (USA) point to the intersection of choreography and politicized ...
Paoli, Julia
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Interactive dance choreography assistance [PDF]
, 2018 Creative support for the performing arts is prevalent in many fields, however, for the art of dance, automated tools supporting creativity have been scarce.
Nack, Frank +8 more
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Anthropology &Education Quarterly, Volume 57, Issue 3, September 2026.ABSTRACT Based on educational ethnography and co‐creative methods conducted in a Danish school context, I center student voices to examine how wellbeing is experienced and negotiated in everyday school life. The article takes a relational and collective perspective as its point of departure yet adopts an exploratory stance that also considers the ...
Camilla Maria Lindskov
wiley +1 more source
, 2004 • Consider a dance with more than one dancer. • Each dancer has a set of steps that they will perform. They orchestrate their own steps because they are in complete control of their domain (their body). • A choreographer ensures that the steps all of the
Orchestration Vs Choreography +2 more
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National Relics: Secular Sacrality, Museums, and Heritage‐Making in Nineteenth‐Century Chile
Museum Anthropology, Volume 49, Issue 2, Fall 2026.ABSTRACT This article examines how objects and bodily remains are transformed and ritualized into national relics through collecting and exhibiting practices in museums. Focusing on nineteenth‐century Chile, it draws on archival sources, material culture theory, and the anthropology of religion to argue that objects associated with Chile's nation‐state
Hugo Rueda Ramírez
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Soft thought (in architecture and choreography)
, 2012 This article is an introduction to and exploration of the concept of ‘soft thought’. What we want to propose through the definition of this concept is an aesthetic of digital code that does not necessarily presuppose a relation with the generative ...
Portanova, Stamatia +3 more
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Review of "Maroon Choreography" by fahima ife (Duke University Press)
In Maroon Choreography, fahima ife follows the policing of Black and Indigenous life across Western modernity in a series of meditations on the “discipling” of the English language in literature and pedagogy, asking us to consider how the afterlife or ...
Walter Lucken IV
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