Results 1 to 10 of about 22,051 (137)
Le Japon selon Chris Marker [PDF]
Appareil, 2010 This article focuses on the status of Japan, as a place where memory, imagination, time and space are related – a space of alterity and displacement – in Marker’s works, specifically: Le mystère Koumiko (1965), Sans Soleil (1982), Le Dépays (1982), Level
Emi Koide
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Image & Narrative, 2009 (E): Using "micrology", as set out by Adorno in Negative Dialectics, this paper tries to<br />characterize a central feature of Chris Marker's approach, as iconographer and writer, namely the way<br />in which he explores the echoes of ...
Nicolas Geneix
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Pour une archéologie cinématographique de la condition immersive: La Jetée (Chris Marker, 1962)
Cinéma & Cie, 2023 Today we tend to emphasise the technological dimension of immersive devices, insisting on the notions of interactivity, virtual reality or augmented perception— all of which promise to intensify museum experience or the film experience.
Barbara Le Maître +2 more
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Kwartalnik Filmowy, 2018 Wideoeseje można uznać za performatywne akty kulturowej i technologicznej emancypacji odbiorcy. Jego kompetencje określa nie tylko zdolność patrzenia i (pamięciowego) kolekcjonowania obrazów, ale przede wszystkim zgromadzony kapitał kulturowy.
Grażyna Świętochowska
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Os estilhaços do tempo: memória, história e imagem em "La jetée" (1962), de Chris Marker
Resgate, 2012 Este artigo é dedicado a analisar a relação entre memória, história e imagem em "La jetée", de Chris Marker, voltando-se, principalmente, para sua concepção estética, mise en scène, investigando de que forma essas questões constituem a obra e como ela ...
Tainah Negreiros Oliveira de Souza
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Fundament pamięci – o „fotograficznej powieści” Chrisa Markera
Kwartalnik Filmowy, 2006 Autor analizuje swoistą metodę „konstruowania ruchu”, jaką w swoim filmie Pomost (La Jetée, 1962) – opowiadającym fikcyjną historię z pogranicza fantastyki naukowej – przyjął Chris Marker.
Andrzej Pitrus
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The Transgression of the Photo-Novel as an Artistic Genre
1616, 2020 The photo-novel is an intermedial genre formed by literature and photography; however, it is necessary to transgress its traditional form to be a place of critical reflection on the supposed mimetic condition of photography and its limitation as a ...
Ana LAGUNA MARTÍNEZ
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Aux Rencontres de la photographie d’Arles 2011 : les Coréennes
Communication, 2013 Combining semiotic and communicational approaches, the author studies the context and the mediation process set up to frame the display and the perception of the 2011 exhibition of Chris Marker’s Coréennes during an arts Festival in Arles.
Marie Renoue
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Chris Marker e a perdição do tempo
Rebeca, 2016 Este artigo é uma reflexão sobre o tempo, o cinema e o tempo do cinema, se apoiando na obra de Chris Marker, mais particularmente de seu famoso curta-metragem La Jetée.
Pedro Trindade Kalil
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