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Nostalgia and La Jetée

open access: yesContemporaneity: Historical Presence in Visual Culture, 2015
This essay contemplates Chris Marker’s film La Jetée (1962) via Svetlana Boym’s conceptualization of “restorative” versus “reflective” nostalgia.
Karla Huebner
doaj   +3 more sources

Chrisa Markera podróże w czasie: o dziwnych losach „La Jetée”

open access: yesKwartalnik Filmowy, 2015
Artykuł jest próbą skonfrontowania filmu Chrisa Markera pod tytułem La Jetée (1962) z utworami, które zostały przezeń zainspirowane. Choć eksperyment francuskiego reżysera był przez lata niemal nieznany, dziś stał się natchnieniem dla filmowców, muzyków,
Andrzej Pitrus
doaj   +3 more sources

Os estilhaços do tempo: memória, história e imagem em "La jetée" (1962), de Chris Marker

open access: yesResgate, 2012
Este artigo é dedicado a analisar a relação entre memória, história e imagem em "La jetée", de Chris Marker, voltando-se, principalmente, para sua concepção estética, mise en scène, investigando de que forma essas questões constituem a obra e como ela ...
Tainah Negreiros Oliveira de Souza
doaj   +4 more sources

Istantanee. Note su «fotografia» e «tempo» a partire da La Jetée di Chris Marker

open access: yesAisthesis, 2018
La Jetée (1962) is a Chris Marker movie composed by still images, photographs, with the exception of a very short sequence. The paper aims to account for the experience of temporality induced by photography, framing the structural analysis of the movie ...
Francesco Vitale
doaj   +4 more sources

Pour une archéologie cinématographique de la condition immersive: La Jetée (Chris Marker, 1962)

open access: yesCinéma & Cie, 2023
Today we tend to emphasise the technological dimension of immersive devices, insisting on the notions of interactivity, virtual reality or augmented perception— all of which promise to intensify museum experience or the film experience.
Barbara Le Maître   +2 more
doaj   +2 more sources

Turbulence Modeling of Torsional Couette Flows

open access: yesInternational Journal of Rotating Machinery, 2008
The present study considers the numerical modeling of the turbulent flow inside a rotor-stator cavity subjected or not to a superimposed throughflow.
Sofia Haddadi, Sébastien Poncet
doaj   +2 more sources

La Jetée ve 12 Maymun’da Posttarihsel Kaygı: Zamansal Palimpsestler ve Sinematik Bellek

open access: yesMelius: Journal of Narrative and Language Studies
Bu çalışma, Chris Marker’ın La Jetée (1962) adlı deneysel kısa filmi ile Terry Gilliam’ın onun sinemasal belleği üzerine inşa ettiği 12 Maymun (12 Monkeys, 1995) filmi arasında kurulan anlatısal ve biçimsel sürekliliği palimpsest ilkesi doğrultusunda ...
Serap Sarıbaş
doaj   +2 more sources

Représentation des émotions : approche interdisciplinaire appliquée à "La trahison d'Einstein" d'Éric-Emmanuel Schmitt [PDF]

open access: yesMağallaẗ Kulliyyaẗ Al-Adāb Bi-Qinā, 2022
"La trahison d'Einstein" est une pièce d'Éric-Emmanuel Schmitt parue en 2014. La pièce jette la lumière sur une partie de la vie d'Einstein, plus particulièrement, sa vie aux États-Unis de 1934 jusqu'à sa mort en 1955.
منال ممدوح يوسف أحمد
doaj   +1 more source

Headline Impression Management in the Earnings Press Releases of TSX Venture Exchange Firms*

open access: yesAccounting Perspectives, Volume 22, Issue 4, Page 519-556, December 2023., 2023
ABSTRACT This paper explores firms traded on the Toronto Stock Exchange (TSX) Venture Exchange and their voluntary disclosure practices by focusing on earnings press releases (EPRs). We compare the characteristics of EPR issuers and non‐issuers and investigate how the former group uses headline impression management in their EPRs to highlight firm ...
Alisher Mansurov   +2 more
wiley   +1 more source

Interpretive field geomorphology as cognitive, social, embodied and affective epistemic practice

open access: yesCanadian Geographer / Le géographe canadien, Volume 67, Issue 3, Page 430-441, Autumn / automne 2023., 2023
Abstract This article examines the epistemic practices of interpretive field geomorphology—that is, the in‐the‐moment act of “seeing the landscape” geomorphologically. Drawing on the philosophical works of Wittgenstein and Merleau‐Ponty, it aims to bring to light the complex, multi‐dimensional, knowledge‐producing process of field observation and ...
Pauline R. Couper
wiley   +1 more source

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