Results 11 to 20 of about 11,422,429 (120)
A ilusão do tempo em La Jetée, de Chris Marker
A partir das reflexões de Friedrich Nietzsche em O eterno retorno e Jorge Luís Borges em Nova refutação do tempo, propõe-se tecer uma leitura crítica do filme La Jetée, de Chris Marker, a fim de examinar como a sua dimensão temporal dialoga com o ideário
Felipe Arrojo Poroger
semanticscholar +2 more sources
Abstract Martinique island is a biodiversity hotspot in the Lesser Antilles that harbours many endemic species. One of these, Anablepsoides cryptocallus, also known as ‘Poisson gale’, is the only endemic freshwater fish of Martinique and a species with a poorly understood distribution range. In this study, an environmental DNA (eDNA) detection protocol
Thomas Baudry +6 more
wiley +1 more source
Memórias de paz, imagens de guerra: La jetée, de Chris Marker
Filme quase exclusivamente composto por imagens estáticas, La jetée relata as experiências de um excombatente, agora prisioneiro em campos subterrâneos, depois da Terceira Guerra Mundial.
Gabriela Santos Alves
semanticscholar +2 more sources
Suicide au service d’oncologie et responsabilité administrative
Les décès par suicide qui surviennent au cours d’une hospitalisation représentent une part non négligeable de l’ensemble des suicides, cette part est estimée au travers la littérature scientifique entre 4 et 5 % , malheureusement aucune étude ...
Farid ALEM +2 more
doaj +1 more source
En Uncle Boonmee Who Can Recall His Past Lives hay dos secuencias capitales donde las, fotografías, recuerdan los vapores de la Historia y proyectan su avenir: Las fotos del hijo, Boongsong; y las fotos del padre, Boonmee. Entre las fotografías de ambas
Santiago Fillol
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O presente texto reflete sobre a fotografia como destempo, que tomo emprestado – palavra e sentido – do escritor João Guimarães Rosa. Rosa usa destempo no romance “Grande Sertão Veredas” e no conto “Sota e Barla”, do livro “Tutaméia”.
Elisa de Magalhães
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Afirmatywny charakter parodii w La puppé Timothy’ego Greenberga
The article is an interpretation of La puppé by Timothy Greenberg seen as non-standard, approving form of parody. The analysis begins with a reminder of attributes of this type of stylization, and then comparision of Greenberg’s film with Chris Marker’s
Justyna Sulejewska
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Gravitational Pull: A Filmmaker in the Orbit of the Modernist Sun
The massive, still-burning modernist sun exerts a powerful gravitational pull on my filmmaking, setting me in orbit around the modernists in its core. Arcing solar flares of filmic and poetic modernism burst out at me: Maya Deren’s cine-poems, rhythmic ...
Andrea Eis
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El recuerdo de una mirada Superficie de una imagen fílmica
En este texto se analiza la relación entre mirada y memoria en el cine como una serie de interacciones que tienen lugar en las superficies de sus imágenes y recuerdos.
Edwin Culp Morando
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Image versus imagination: Memory’s ttheatre of cruelty in Chris Marker’s La Jetée
While the 1962 French science fiction film La Jetée presents a straightforward narrative premise, it nonetheless details the story of a man who “becomes a human projectile to be pro-jeté through time,” as Paul Sandro claims. Incriminating the audience in
Martina Witt-Jauch
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