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2021
La voce analizza il rapporto del regista francese Chris Marker con le forme più legate all'avanguardia dell'Arte contemporanea.
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La voce analizza il rapporto del regista francese Chris Marker con le forme più legate all'avanguardia dell'Arte contemporanea.
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Film Quarterly, 1979
The mere mention of political film-making in France after the turmoil of May 1968 is synonymous for most Americans with the name of JeanLuc Godard and the now-defunct Dziga-Vertov Group which he spearheaded with Jean-Pierre Gorin.1 Few people know that French collectivefilm-making derives from Chris Marker, who formed a film co-operative SLON (Societe ...
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The mere mention of political film-making in France after the turmoil of May 1968 is synonymous for most Americans with the name of JeanLuc Godard and the now-defunct Dziga-Vertov Group which he spearheaded with Jean-Pierre Gorin.1 Few people know that French collectivefilm-making derives from Chris Marker, who formed a film co-operative SLON (Societe ...
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Violet Ashes: A Tribute to Chris Marker
positions: asia critique, 2015This essay examines the destructive air war over North Korea from 1950 to 1953 and asks why this enormous atrocity is either unknown or forgotten in the United States, while it remains a burning memory in North Korea—one that deeply affects Korean attitudes toward US citizens. The essay high-lights the remarkable work of Chris Marker, who died in 2012,
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2018
Chris Marker was a French filmmaker, photographer, writer, and multi-media artist who is widely considered to be the foremost pioneer of the essay film. More digressive, meditative, and playful than traditional documentaries, Marker’s films combine observational footage, often from his travels, with ruminative voice-overs.
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Chris Marker was a French filmmaker, photographer, writer, and multi-media artist who is widely considered to be the foremost pioneer of the essay film. More digressive, meditative, and playful than traditional documentaries, Marker’s films combine observational footage, often from his travels, with ruminative voice-overs.
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À contre-courant, Chris Marker
Multitudes, 2015Quand Chris Marker « filme les autres », comme dans Joli mai et autres documentaires, il adhère à une image émancipatrice du peuple, mais ce n’est pas seulement ou ce n’est surtout pas à une image qu’il se rallie. Son travail de cinéaste porte toujours sur la question : comment se font les images et quand s’il s’agit d’image du peuple, comment celui-ci
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The Cat and the Owl: Remembering Chris Marker
October, 2014In October 2010, I emailed Chris to ask if he was interested in taking part in a special issue of E-flux Journal that art critic Sven Lütticken and I were editing. The issue focused on whether contemporary art had addressed the rise of right-wing populism in Europe, the US, and elsewhere, and how these largely nationalistic, homophobic, and xenophobic
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