Results 1 to 10 of about 71 (69)
Vertov ou l’apothéose de l’appareil
Appareil, 2020 L’article étudie comment le concept d’Appareil proposé par Jean-Louis Déotte pourrait s’éclairer du travail de Dziga Vertov, qui opta pour une approche réflexive, aussi pratique que théorique, de l’art cinématographique.
Pascal Krajewski
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Cinergie, 2022 This paper aims to emphasize first the decisive role played by festivals in the creation and circulation of films according to other guidelines than those dictated by the market.
Jean-Michel Frodon
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Le collectif Front paysan : films de luttes et travail syndical dans les années 1970
Images du Travail, Travail des Images, 2022 The 1970s were marked in France by an original mobilization of a fraction of agricultural unionism, which, breaking with the unanimous strategy of the majority trade union, the FNSEA, engages in a series of struggles to denounce the devastating effects ...
Édouard Lynch
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A Cinema Outside of Itself: Stylistic Terrorism in Brazilian udigrudi
Catedral Tomada: Revista de Crítica Literaria Latinoamericana, 2019 The movement of underground cinema emerges in Latin America in the late sixties and, through radical formal experimentation, it tries to shape a political discourse. These films confront both with author cinema and with militant cinema.
David Oubiña
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De quelques retours de M. Chat : Historiographie politique dans Le fond de l’air est rouge
Relief: Revue Électronique de Littérature Francaise, 2012 Dans son film de montage Le fond de l’air est rouge, Chris Marker compile un ensemble de représentations hétérogènes issues d’une décennie de luttes (ouvrières, étudiantes, indépendantistes, etc.) dans le monde.
Jeremy Hamers +1 more
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The Filmmaker as Metallurgist: Political Cinema and World Memory
Film-Philosophy, 2016 Compared to earlier waves of political cinema, such as the Russian revolution films of the 1920s and the militant Third Cinema movement in the 1960s, in today's globalized and digital media world filmmakers have adopted different strategies to express a ...
Patricia Pisters
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Godard et Gorin, marxistes « tendance Groucho »
Mise au Point, 2017 Among the works of the Dziga Vertov group, a Marxist-Leninist collective headed by Jean-Luc Godard and Jean-Pierre Gorin between 1967 and 1973, two films could easily dismiss the common charges of puritanism led against militant cinema: Vladimir et Rosa (
Raphaël Jaudon
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Recherches & Travaux, 2018 For nearly twenty years, Portuguese filmmaker Pedro Costa has been working with the poor in the Fontainhas neighborhood to make dissensual images of their lives.
Thomas Voltzenlogel
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Secuencias, 2017 En los años sesenta, el cine militante buscó compartir y expandir estrategias y herramientas para la lucha política alrededor del mundo. Ici et ailleurs (1969- 1974), la película que Godard filmó con Jean-Pierre Gorin bajo el marco del Grupo Dziga Vertov
Irmgard Emmelhainz
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Quand le cinéma descend dans la rue
Cahiers d’Études Romanes, 2019 Cet article s’intéresse à deux films documentaires tournés dans les rues de la capitale espagnole entre 1975 et 1977 par le Colectivo de Cine de Madrid : Amnistía y libertad et Hasta siempre en la libertad.
Jean-Paul Aubert
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