Results 11 to 20 of about 71 (69)
Meta‐Virtuality: Strategies of Disembeddedness in Virtual Interiorities
Journal of Interior Design, EarlyView., 2022 ABSTRACT To reclaim their seat in the rapidly growing market of virtual space, designers of the built environment can benefit from reevaluating theories that see the virtual as a mere extension/reflection of the physical. By claiming ontological autonomy from external worlds, the virtual is liberated from the hegemonic control of the physical.
Vahid Vahdat
wiley +1 more source
The marches of Gustave Cauvin – the first systematic and regular form on militant cinema
Revista Mundos do Trabalho, 2018 The role of Gustave Cauvin (1886-1951) in the demarcation of the first phase of militant cinema was, individually, the most striking. This paper aims to present to the Brazilian public, through police reports and militant newspapers and by the work of ...
Luiz Felipe Cezar Mundim
doaj +1 more source
Cine, izquierdas y democracia en Uruguay: tres momentos (1956-1990)
Nuevo mundo - Mundos NuevosStudies on cinema and politics in Uruguay have been consistently developed, but they have primarily focused on the “militant cinema”, during the late sixties. It is now necessary to undertake critical reflections that encompass a wider period. To address
Pablo Alvira
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Cinema of the exile. An interview with Lars Safstrom and Luiz Alberto Sanz
Aniki: Revista Portuguesa da Imagem em Movimento, 2015 Pioneers of militant cinema in the 1970s, in Sweden, filmmakers Lars Safstrom and Luiz Alberto Sanz have recorded several interviews of Brazilians exiled in Europe during that period. The films they have co-directed are, today, important archives for the
Anita Leandro
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El documental de intervención y su relación con la realidad histórica. Variaciones en el tiempo
Fotocinema: Revista Científica de Cine y Fotografía, 2011 El cine se origina como documental, como documento con voluntad de registrar la realidad. El conocimiento de los dispositivos cinematográficos, no solo como instrumentos técnicos, sino también como elementos narrativos y organizadores de discurso ...
Isadora Guardia
doaj +1 more source
Historia Crítica, 2013 This article studies the audiovisual representation of the Partido Comunista de España (PCE: Spanish Communist Party), presenting it as a historiographical practice that has proposed various signification logics in the past.
José Carlos Rueda Laffond
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A Panorama of Brazilian documentary film activism in the 2010s
Revista TeknokulturaThis article analyzes Brazilian documentaries from the last decade, investigating their narrative and visual strategies and relating them to emerging video activism practices. Referred to here as ‘documentary cine-activism’, this set of films belongs to
Márcio Zanetti Negrini +3 more
doaj +1 more source
Cadernos Pagu, 2007 Neste artigo traço um breve panorama do crescimento e diversificação dos festivais GLBT de cinema e da visibilidade gay. A análise está centrada nas transformações que configuraram uma nova cinematografia denominada, no início dos anos 1990, de queer ...
Karla Bessa
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Mise au PointLa Chinoise (1967) is the fourteenth feature film directed by Jean-Luc Godard and establishes a turning point in his career. The filmmaker, at the time close to Nanterre’s students, is not yet the militant he will become starting from the events of May ...
Iris Mommeransy
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Nuevo mundo - Mundos Nuevos, 2012 Much of Argentine cinema of the 40's and 50’s echoed the social transformations of that period. During the Peronist government, cinema director and tango singer Hugo del Carril included oppressed social sector of rural areas in his films, especially in ...
Cristina Mateu
doaj +1 more source