Results 41 to 50 of about 53,979 (220)
European Journal of Philosophy, EarlyView.Abstract What norms govern aesthetic conversations? In Hansen and Adams (2024), we argue for a norm we call, following Stanley Cavell, “the hope of agreement”, along with a requirement of “seriousness”, the “discipline of accounting for one's judgments”.
Nat Hansen, Zed Adams
wiley +1 more source
Split Personality Of Cobb In Inception Movie (2010) Directed By Christopher Nolan: A Psychoanalytic Approach [PDF]
, 2012 The research is proposed to analyze the split personality of Cobb’s personality with Psychoanalityc Approach. The objectives of this study are to analyze the Inception movie based on Psychoanalytic approach and analyze the movie based on its structural ...
Prasetyo, Aris Danang
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Hareket İmajın Ötesine Geçmek: Christopher Nolan Sineması
SineFilozofi, 2022 Gilles Deleuze, imaj mantığını her dönemin kendine özgü düşünce imajını yaratarak, kendisini düşündüğü teknolojik otomatlar olarak tasvir eder. Felsefe ise üretilen sırası geldiğinde bu imajları düşünce-göstergeler olarak haritalandırabilir. Dolayısıyla imaj, en geniş anlamda tarihsel biçimde belirlenen sinematik uygulamaları, “ruhsal otomatlar” veya ...
İhsan KOLUAÇIK, Azime CANTAŞ
openaire +3 more sources
Anselm's Temporal‐Ontological Proof
Noûs, EarlyView.ABSTRACT In his Reply to Gaunilo, Anselm presented two additional arguments for the existence of God beyond those that appear in the Proslogion. In “The Logical Structure of Anselm's Argument,” Robert M. Adams isolates each. One, he develops into a modal ontological argument along the lines of other 20th century ontological arguments (e.g., those of ...
Daniel Rubio
wiley +1 more source
Lumina, 2014 O artigo tem por objetivo evidenciar como o cinema de entretenimento hollywoodiano continua utilizando, em pleno século XXI, uma estrutura narrativa secular: a Jornada do Herói.
Anelise Rublescki
doaj +1 more source
In Nolan we trust: La obsesión onírica y psicológica que ha conquistado Hollywood [PDF]
, 2013 El presente estudio recorre la filmografía del cineasta Christopher Nolan con el objeto de desvelar algunas de las claves del éxito de este director, aclamado por público y crítica, y que ha logrado transitar del cine independiente con cintas de culto ...
Casas-Delgado, Inmaculada
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Middlebrow Aesthetics: An Explanation and Defense
Pacific Philosophical Quarterly, EarlyView.ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
wiley +1 more source
Un análisis del filme El Origen de Christopher Nolan. [PDF]
, 2018 Trabajo de Conclusión de Curso presentado al Instituto Latino-Americano de Arte, Cultura e Historia de la Universidad Federal da Integración Latino-Americana, como requisito parcial para la obtención do título de Licenciatura en Cine y Audiovisual ...
Paniagua Báez, Tamara Nathaly
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Transfusion, EarlyView.Abstract Background Unintentional injuries are a major cause of death worldwide. Modern trauma systems have reduced morbidity and mortality through rapid prehospital care, yet trauma research faces challenges obtaining informed consent during emergencies.
Katie N. Dainty +39 more
wiley +1 more source
El caso de Memento: una memoria nietzscheana en el cine postmoderno
Bajo Palabra, 2016 En el siguiente artículo realizaré un análisis de las relaciones entre la filosofía de la historia de Nietzsche y el papel que se otorga a la memoria en el cine posmoderno, prestando especial atención a la película Memento (Christopher Nolan, 2000). Para
A. Muñoz Corcuera
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