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Creating claustrophobia in Christopher Nolan’s Dunkirk
Creativity Studies, 2023 Christopher Nolan’s cinema and its immersive quality is appreciated by audiences and critics alike, and already analysed by researchers, often mentioning “claustrophobia” as a feeling encountered in his films. However, a number of extensive explorations
Viktorija Lankauskaitė
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universo temporal de Christopher Nolan
Actio Nova, 2020 El propósito de este artículo es realizar una reflexión acerca de la filmografía del director británico Christopher Nolan, poniendo especial interés en los conceptos de tiempo, identidad y fragmentación.
Maria Teresa Calvo Martinez
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El caballero oscuro (Christopher Nolan)
Vivat Academia, 2008 Reseña.
Jesús Miguel Sáez-González
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Filmmetapher – Bewusstseinsmetapher : zu Christopher Nolans Meisterwerk Inception [PDF]
, 2010 Die narrative Konstruktion des Films Inception von Christopher Nolan macht zwei Voraussetzungen: Der Film erzählt uns, dass man in die Träume anderer einsteigen kann und dass man träumen kann, dass man träumt.
Jahraus, Oliver
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Thank you to our 2025 reviewers [PDF]
Mol Ther Methods Clin DevAbstract The Editors and Staff of Earth and Space Science thank the reviewers whose selfless work has significantly contributed to the publication process of papers highlighting the best research in geophysics, planetary, and space science in 2025. Peer‐reviewing is a demanding and thankless job.
Graziella Caprarelli +14 more
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Supervillanos muy reales: el uso político del villano en la trilogía de "El Caballero Oscuro" de Christopher Nolan [PDF]
Área Abierta, 2016 Es ya casi una tradición que los villanos de celuloide (o digitales) posean una o varias características que nos recuerden a los enemigos políticos reales del país productor de la película, o incluso a los enemigos dentro del propio país según la ...
Alfonso M. Rodriguez de Austria Giménez de Aragón
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Reading the Apocalypse with Christopher Nolan: Story and Narrative, Time and Space [PDF]
Journal for Interdisciplinary Biblical Studies, 2022 This essay examines the Book of Revelation in dialogue with the films of Christopher Nolan, with particular attention to the use of nonlinear narrative.
Jamie Davies
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Defending the Status Quo in The Dark Knight Rises
European Journal of American Studies, 2022 Although not as popular or groundbreaking as his Dark Knight, Christopher Nolan’s 2012 The Dark Knight Rises is an important cultural artefact of the twenty-first century.
Jesse Russell
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Adaptação sob perspectiva: memento mori e as construções narrativas no conto e no longa-metragem
Outra Travessia, 2021 O presente artigo discorre acerca do conto Memento Mori, de Jonathan Nolan, e sua posterior adaptação cinematográfica, dirigida por Christopher Nolan, no ano de 2000.
Larissa Brito dos Santos
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CHRISTOPHER NOLAN SİNEMASININ ARKETİPSEL ANALİZİ
İstanbul Ticaret Üniversitesi Sosyal Bilimler Dergisi, 2023 Amaç: Bu çalışma, auteur bir yönetmen olan Christopher Nolan’ın yazıp yönettiği filmlerinin arketipsel analizidir. Çalışma kapsamında Nolan filmleri Jungcu bir bakış açısı ile arketipler bağlamında incelenecektir. Nolan’ın filmlerindeki ortak olan Zaman, Baba, Adalet, Âşık, Masum, Tanrı ve Yaşlı Bilge arketipleriyle yönetmenin filmlerinin evrensel ...
Gözde SUNAL, Berkan Şahin KELEŞ
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