Results 11 to 20 of about 53,979 (220)
Mózg jako nowy wszechświat – wokół Incepcji Christophera Nolana
Images, 2021 The article shows the growing interest of science fiction cinema in the human brain and related concepts, such as mind or consciousness. Nowadays, when distant space travel seems unreachable, artists find the exploration potential of the brain ...
Marcin Kowalczyk
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Biblical Narratives in INTERSTELLAR (Christopher Nolan, US/GB 2014)
Journal for Religion, Film and Media, 2020 Religion is an essential marker of culture, for its doctrines reflect the systems of thought and values of any given civilization. The Christian faith and culture of the West were in turn based upon the holy scriptures of the Jews.
Nir, Bina
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Filiation et novum temporel : le cas d’Interstellar et d’Arrival
ReS Futurae, 2021 Interstellar (Christopher Nolan, 2014) and Arrival (Denis Villeneuve, 2016) each offer a remarkable example of the tension between the affective charge proper to character development – affection, dilemma, sacrifice – and the cognitive distancing proper ...
Simon Bréan
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Visualizing Interstellar's Wormhole [PDF]
, 2015 Christopher Nolan's science fiction movie Interstellar offers a variety of opportunities for students in elementary courses on general relativity theory.
Franklin, Paul +3 more
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The tale Parfit tells:Analytic Metaphysics of Personal Identity vs. Wittgensteinian Film and Literature [PDF]
, 2015 At the center of Derek Parfit’s Reasons and Persons is nestled a famous short story about a person who uses a teletransporter. Parfit argues that his “thought experiment” shows that “personal identity”—as (analytic) philosophy understands it—doesn’t ...
Read, Rupert
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„Czy patrzysz uważnie?”. Autotematyzm w „Prestiżu” Christophera Nolana
Kwartalnik Filmowy, 2017 Tekst jest poprowadzoną w kluczu autotematycznym analizą filmu Prestiż (2006) Christophera Nolana. Trzy fazy doskonałej sztuczki magicznej zaprezentowane w pierwszych i ostatnich minutach projekcji odpowiadają trzyetapowej, szkatułkowej metodzie ...
Adrianna Michno
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Michel Serres, Topology and Folded Time in Christopher Nolan's Dunkirk
Film-Philosophy, 2022 This article discusses Michel Serres's topological thinking and his approach to space and time from a film studies perspective, specifically looking at connections between Serresian philosophy and the work of Christopher Nolan, using Dunkirk (2017) as an
Kevin Hunt
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La forja del psicópata, El caballero oscuro (2008) de Christopher Nolan
Revista de Medicina y Cine / Journal of Medicine and Movies, 2018 Analizamos, a través de una secuencia ejemplar de El caballero oscuro (The Dark Knight, Christopher Nolan, 2008), el fracaso en el proceso de identificación primordial que está en el origen de la formación del psicópata.
Basilio CASANOVA VARELA
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ReS Futurae, 2021 The library of the character Murphy in Christopher Nolan’s film Interstellar (2014) is innovative in its staging of intertextual references, as well as integrating a four-dimensional media device: a “tesseract”. In addition to the reading paths that many
Emmanuel Buzay
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Journal for Religion, Film and Media, 2017 The superhero narrative is typically premised on the conflict between the hero and the villain, the mythical struggle between good and evil. It therefore promotes a Manichaean worldview where good and evil are clearly distinguishable quantities.
Born, Simon Philipp
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