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Creating claustrophobia in Christopher Nolan’s Dunkirk
Christopher Nolan’s cinema and its immersive quality is appreciated by audiences and critics alike, and already analysed by researchers, often mentioning “claustrophobia” as a feeling encountered in his films. However, a number of extensive explorations
Viktorija Lankauskaitė
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universo temporal de Christopher Nolan
El propósito de este artículo es realizar una reflexión acerca de la filmografía del director británico Christopher Nolan, poniendo especial interés en los conceptos de tiempo, identidad y fragmentación.
Maria Teresa Calvo Martinez
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El caballero oscuro (Christopher Nolan)
Reseña.
Jesús Miguel Sáez-González
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Filmmetapher – Bewusstseinsmetapher : zu Christopher Nolans Meisterwerk Inception [PDF]
Die narrative Konstruktion des Films Inception von Christopher Nolan macht zwei Voraussetzungen: Der Film erzählt uns, dass man in die Träume anderer einsteigen kann und dass man träumen kann, dass man träumt.
Jahraus, Oliver
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Supervillanos muy reales: el uso político del villano en la trilogía de "El Caballero Oscuro" de Christopher Nolan [PDF]
Es ya casi una tradición que los villanos de celuloide (o digitales) posean una o varias características que nos recuerden a los enemigos políticos reales del país productor de la película, o incluso a los enemigos dentro del propio país según la ...
Alfonso M. Rodriguez de Austria Giménez de Aragón
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Reading the Apocalypse with Christopher Nolan: Story and Narrative, Time and Space [PDF]
This essay examines the Book of Revelation in dialogue with the films of Christopher Nolan, with particular attention to the use of nonlinear narrative.
Jamie Davies
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Defending the Status Quo in The Dark Knight Rises
Although not as popular or groundbreaking as his Dark Knight, Christopher Nolan’s 2012 The Dark Knight Rises is an important cultural artefact of the twenty-first century.
Jesse Russell
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Adaptação sob perspectiva: memento mori e as construções narrativas no conto e no longa-metragem
O presente artigo discorre acerca do conto Memento Mori, de Jonathan Nolan, e sua posterior adaptação cinematográfica, dirigida por Christopher Nolan, no ano de 2000.
Larissa Brito dos Santos
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CHRISTOPHER NOLAN SİNEMASININ ARKETİPSEL ANALİZİ
Amaç: Bu çalışma, auteur bir yönetmen olan Christopher Nolan’ın yazıp yönettiği filmlerinin arketipsel analizidir. Çalışma kapsamında Nolan filmleri Jungcu bir bakış açısı ile arketipler bağlamında incelenecektir. Nolan’ın filmlerindeki ortak olan Zaman, Baba, Adalet, Âşık, Masum, Tanrı ve Yaşlı Bilge arketipleriyle yönetmenin filmlerinin evrensel ...
Gözde SUNAL, Berkan Şahin KELEŞ
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Mózg jako nowy wszechświat – wokół Incepcji Christophera Nolana
The article shows the growing interest of science fiction cinema in the human brain and related concepts, such as mind or consciousness. Nowadays, when distant space travel seems unreachable, artists find the exploration potential of the brain ...
Marcin Kowalczyk
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