Results 141 to 150 of about 73,169 (237)

Extension du domaine de la lutte

open access: yesNuevo mundo - Mundos Nuevos, 2006
Boris Jeanne
doaj   +1 more source

Dynamic Effects of Public Expenditure: The Challenge of Multi‐Level Governance Systems

open access: yesPublic Budgeting &Finance, EarlyView.
ABSTRACT The public economy literature shows that dynamic effects of public expenditure vary across programs, giving governments incentives to allocate spending with precision. However, this may be difficult in multi‐level governance, where centrally funded expenditure is implemented locally.
Jens Blom‐Hansen   +2 more
wiley   +1 more source

Zirconia, titanium, and polyetheretherketone implant abutments show equal long‐term clinical success—A systematic review and network meta‐analysis

open access: yesPeriodontology 2000, EarlyView.
Abstract Hundreds of millions of people have one or more missing teeth. Consequently, a substantial number of patients undergo implant therapy each year. However, technical complications and soft tissue inflammation associated with the implant abutment or the type of restoration can lead to bone loss and, ultimately, implant failure.
Yasir Nabeel Al‐Mohammad   +13 more
wiley   +1 more source

Histoire du cinéma américain

open access: yes, 1995
International audienceUn panorama complet des grandes étapes du cinéma américain, des origines jusqu'aux récents festivales de Cannes. Sa rigueur chronologique, dans un domaine où il n'existe souvent que des dictionnaires ou des essais thématiques, en ...
Gauthier, Brigitte
core   +1 more source

Rights, respect, and the duty to obey the law

open access: yes
Journal of Social Philosophy, EarlyView.
Shruta Swarup
wiley   +1 more source

The Ideology of History and the Limits of Cinematic Realism in Andrei Zviagintsev’s Leviathan and Nataliia Meshchaninova’s The Hope Factory

open access: yesThe Russian Review, EarlyView.
Abstract This article brings together theories of history and filmic realism to analyze the representation of the provinces in Nataliia Meshchaninova’s The Hope Factory (Kombinat “Nadezhda,” 2014) and Andrei Zviagintsev’s Leviathan (Leviafan, 2014). It argues that these two films share a typically realist attitude of respect toward the profilmic in ...
Daria Ezerova
wiley   +1 more source

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