Results 1 to 10 of about 7,462 (150)
El documental de intervención y su relación con la realidad histórica. Variaciones en el tiempo [PDF]
Fotocinema: Revista Científica de Cine y Fotografía, 2011 El cine se origina como documental, como documento con voluntad de registrar la realidad. El conocimiento de los dispositivos cinematográficos, no solo como instrumentos técnicos, sino también como elementos narrativos y organizadores de discurso ...
Isadora Guardia
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Biet, Christian, et Olivier Neveux (dir.), Une histoire du spectacle militant : théâtre et cinéma militants 1966-1981, Montpellier, Éditions L’Entretemps, 2007, 464 p. [PDF]
, 2009 Hélène Beauchamp
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Cinergie, 2022 This paper aims to emphasize first the decisive role played by festivals in the creation and circulation of films according to other guidelines than those dictated by the market.
Jean-Michel Frodon
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Vertov ou l’apothéose de l’appareil
Appareil, 2020 L’article étudie comment le concept d’Appareil proposé par Jean-Louis Déotte pourrait s’éclairer du travail de Dziga Vertov, qui opta pour une approche réflexive, aussi pratique que théorique, de l’art cinématographique.
Pascal Krajewski
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De quelques retours de M. Chat : Historiographie politique dans Le fond de l’air est rouge
Relief: Revue Électronique de Littérature Francaise, 2012 Dans son film de montage Le fond de l’air est rouge, Chris Marker compile un ensemble de représentations hétérogènes issues d’une décennie de luttes (ouvrières, étudiantes, indépendantistes, etc.) dans le monde.
Jeremy Hamers +1 more
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Le collectif Front paysan : films de luttes et travail syndical dans les années 1970
Images du Travail, Travail des Images, 2022 The 1970s were marked in France by an original mobilization of a fraction of agricultural unionism, which, breaking with the unanimous strategy of the majority trade union, the FNSEA, engages in a series of struggles to denounce the devastating effects ...
Édouard Lynch
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Post-1995 French cinema: return of the social, return of the political? [PDF]
, 2003 A key trend in post-1995 French cinema has been the return of the social. Analysing this trend, this article seeks to evaluate its politic impact. Using Hervé Le Roux’s Reprise (1997) and Agnès Varda’s Les Glaneurs et la glaneuse (2000) as key meta-texts,
BEUGNET M. +6 more
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A Cinema Outside of Itself: Stylistic Terrorism in Brazilian udigrudi
Catedral Tomada: Revista de Crítica Literaria Latinoamericana, 2019 The movement of underground cinema emerges in Latin America in the late sixties and, through radical formal experimentation, it tries to shape a political discourse. These films confront both with author cinema and with militant cinema.
David Oubiña
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The Filmmaker as Metallurgist: Political Cinema and World Memory
Film-Philosophy, 2016 Compared to earlier waves of political cinema, such as the Russian revolution films of the 1920s and the militant Third Cinema movement in the 1960s, in today's globalized and digital media world filmmakers have adopted different strategies to express a ...
Patricia Pisters
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Godard et Gorin, marxistes « tendance Groucho »
Mise au Point, 2017 Among the works of the Dziga Vertov group, a Marxist-Leninist collective headed by Jean-Luc Godard and Jean-Pierre Gorin between 1967 and 1973, two films could easily dismiss the common charges of puritanism led against militant cinema: Vladimir et Rosa (
Raphaël Jaudon
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