Results 11 to 20 of about 7,501 (189)
Meta‐Virtuality: Strategies of Disembeddedness in Virtual Interiorities
Journal of Interior Design, EarlyView., 2022 ABSTRACT To reclaim their seat in the rapidly growing market of virtual space, designers of the built environment can benefit from reevaluating theories that see the virtual as a mere extension/reflection of the physical. By claiming ontological autonomy from external worlds, the virtual is liberated from the hegemonic control of the physical.
Vahid Vahdat
wiley +1 more source
Recherches & Travaux, 2018 For nearly twenty years, Portuguese filmmaker Pedro Costa has been working with the poor in the Fontainhas neighborhood to make dissensual images of their lives.
Thomas Voltzenlogel
doaj +1 more source
Feminist phenomenology and the film-world of Agnes Varda [PDF]
, 2013 Through a discussion of Agnès Varda’s career from 1954 to 2008 that focuses particularly on La Pointe Courte (1954), L’Opéra-Mouffe (1958) The Gleaners and I 2000), and The Beaches of Agnes (2008), this article considers the connections between Varda’s ...
Ince, Kate
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Secuencias, 2017 En los años sesenta, el cine militante buscó compartir y expandir estrategias y herramientas para la lucha política alrededor del mundo. Ici et ailleurs (1969- 1974), la película que Godard filmó con Jean-Pierre Gorin bajo el marco del Grupo Dziga Vertov
Irmgard Emmelhainz
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Quand le cinéma descend dans la rue
Cahiers d’Études Romanes, 2019 Cet article s’intéresse à deux films documentaires tournés dans les rues de la capitale espagnole entre 1975 et 1977 par le Colectivo de Cine de Madrid : Amnistía y libertad et Hasta siempre en la libertad.
Jean-Paul Aubert
doaj +1 more source
The point in time: Precise chronology in early godard [PDF]
, 2003 This essay considers the significance of reference to chronologically specific material (including newspapers, magazines, radio broadcasts, graffiti) in Godard’s first three films of the 1960s - Le Petit soldat/The Little Soldier (made 1960, released ...
Lack, RF
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The marches of Gustave Cauvin – the first systematic and regular form on militant cinema
Revista Mundos do Trabalho, 2018 The role of Gustave Cauvin (1886-1951) in the demarcation of the first phase of militant cinema was, individually, the most striking. This paper aims to present to the Brazilian public, through police reports and militant newspapers and by the work of ...
Luiz Felipe Cezar Mundim
doaj +1 more source
Le travailleur de l’automobile au cinéma. Montage-remontage d’un personnage pluriel [PDF]
, 2007 Les films qui s’intéressent aux ateliers de fabrication de voitures et à leurs ouvriers, films d’entreprise, de fiction, documentaires ou militants, permettent d’analyser l’évolution des regards portés sur eux.
Hatzfeld, Nicolas +2 more
core +3 more sources
Cinema of the exile. An interview with Lars Safstrom and Luiz Alberto Sanz
Aniki: Revista Portuguesa da Imagem em Movimento, 2015 Pioneers of militant cinema in the 1970s, in Sweden, filmmakers Lars Safstrom and Luiz Alberto Sanz have recorded several interviews of Brazilians exiled in Europe during that period. The films they have co-directed are, today, important archives for the
Anita Leandro
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Cine, izquierdas y democracia en Uruguay: tres momentos (1956-1990)
Nuevo mundo - Mundos NuevosStudies on cinema and politics in Uruguay have been consistently developed, but they have primarily focused on the “militant cinema”, during the late sixties. It is now necessary to undertake critical reflections that encompass a wider period. To address
Pablo Alvira
doaj +1 more source