Results 11 to 20 of about 189,881 (180)
Meta‐Virtuality: Strategies of Disembeddedness in Virtual Interiorities
Journal of Interior Design, EarlyView., 2022 ABSTRACT To reclaim their seat in the rapidly growing market of virtual space, designers of the built environment can benefit from reevaluating theories that see the virtual as a mere extension/reflection of the physical. By claiming ontological autonomy from external worlds, the virtual is liberated from the hegemonic control of the physical.
Vahid Vahdat
wiley +1 more source
Vertov ou l’apothéose de l’appareil
Appareil, 2020 L’article étudie comment le concept d’Appareil proposé par Jean-Louis Déotte pourrait s’éclairer du travail de Dziga Vertov, qui opta pour une approche réflexive, aussi pratique que théorique, de l’art cinématographique.
Pascal Krajewski
doaj +1 more source
De quelques retours de M. Chat : Historiographie politique dans Le fond de l’air est rouge
Relief: Revue Électronique de Littérature Francaise, 2012 Dans son film de montage Le fond de l’air est rouge, Chris Marker compile un ensemble de représentations hétérogènes issues d’une décennie de luttes (ouvrières, étudiantes, indépendantistes, etc.) dans le monde.
Jeremy Hamers +1 more
doaj +5 more sources
Le collectif Front paysan : films de luttes et travail syndical dans les années 1970
Images du Travail, Travail des Images, 2022 The 1970s were marked in France by an original mobilization of a fraction of agricultural unionism, which, breaking with the unanimous strategy of the majority trade union, the FNSEA, engages in a series of struggles to denounce the devastating effects ...
Édouard Lynch
doaj +1 more source
Cinéma militant: political filmmaking and May 1968
, 2017 Dominic Topp
semanticscholar +2 more sources
Post-1995 French cinema: return of the social, return of the political? [PDF]
, 2003 A key trend in post-1995 French cinema has been the return of the social. Analysing this trend, this article seeks to evaluate its politic impact. Using Hervé Le Roux’s Reprise (1997) and Agnès Varda’s Les Glaneurs et la glaneuse (2000) as key meta-texts,
BEUGNET M. +6 more
core +1 more source
A Cinema Outside of Itself: Stylistic Terrorism in Brazilian udigrudi
Catedral Tomada: Revista de Crítica Literaria Latinoamericana, 2019 The movement of underground cinema emerges in Latin America in the late sixties and, through radical formal experimentation, it tries to shape a political discourse. These films confront both with author cinema and with militant cinema.
David Oubiña
doaj +1 more source
The Filmmaker as Metallurgist: Political Cinema and World Memory
Film-Philosophy, 2016 Compared to earlier waves of political cinema, such as the Russian revolution films of the 1920s and the militant Third Cinema movement in the 1960s, in today's globalized and digital media world filmmakers have adopted different strategies to express a ...
Patricia Pisters
doaj +1 more source
Godard et Gorin, marxistes « tendance Groucho »
Mise au Point, 2017 Among the works of the Dziga Vertov group, a Marxist-Leninist collective headed by Jean-Luc Godard and Jean-Pierre Gorin between 1967 and 1973, two films could easily dismiss the common charges of puritanism led against militant cinema: Vladimir et Rosa (
Raphaël Jaudon
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Secuencias, 2017 En los años sesenta, el cine militante buscó compartir y expandir estrategias y herramientas para la lucha política alrededor del mundo. Ici et ailleurs (1969- 1974), la película que Godard filmó con Jean-Pierre Gorin bajo el marco del Grupo Dziga Vertov
Irmgard Emmelhainz
doaj +1 more source