Results 91 to 100 of about 633,327 (242)
Teatro-cinema ou cinema-teatro
Este texto é uma reflexão sobre alguns aspectos da obra de Fassbinder a partir do ensaio “Teatro e Cinema” de André Bazin, capítulo do clássico Qu ’est-ce que le Cinémci? 1 A idéia para a relação entre os dois autores ocorreu, por um lado, porque o crítico francês, além de analisar como se dá a influência do teatro sobre o cinema, e do cinema sobre o ...
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The myth of the Brazilian racial democracy still remains among the cinema and soap opera industry, even though it is greatly criticized by several sectors of the black population.
Joel Zito Araújo
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Peruvian cinema, national identity and political violence 1988-2004 [PDF]
The role of national cinema in shaping, reflecting and contesting a complex national identity that is the site of conflict and struggle is the central interest of this study of contemporary Peruvian cinema, 1988-2004.
Barrow, Sarah
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Escrever sobre Cinema, Escrever no Cinema, Escrever o Cinema
Recensão crítica de Clara Rowland e José Bértolo, eds. A Escrita do Cinema: Ensaios, Lisboa: Documenta/Sistema Solar. 336 pp. ISBN 978-989-8618-97-9.
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Formal Features Of Image Construction In Ghost Films
Ghosts - as a cultural phenomenon inherited across generations - represent a fundamental element created by the human imagination and addressed in literary and cinematic narratives, as ghosts occupy a large space in the heritage of nations. Horror films
Asia Ali Mahmood
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Dust in the Wind: A Definitive Hou/New Cinema Work
Book Summary: For younger critics and audiences, Taiwanese cinema enjoys a special status, comparable with that of Italian Neorealism and the French New Wave for earlier generations, a cinema that was and is in the midst of introducing an innovative ...
Udden, James N.
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"I won't bite": Generative AI, Robotics, and the Ethics of Loss in Black Mirror 201 "Be Right Back"
Since its premiere in 2011, Black Mirror has proven itself an important television series in its industrial impact and in its thematic ambitions: the show examines how we are to live with contemporary technology.
Jaimey Fisher
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Cinema de artista: cinema de atrações, cinema expandido, cinema de exposição
Ao longo de sua história, o cinema, como prática social, sofreu profundas transformações. No entanto, nenhuma delas foi tão profunda quanto a criação, por volta de 1908, da Forma cinema, isto é, do modelo narrativo-representativo-institucional (N.R.I.).
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