Results 101 to 110 of about 633,327 (242)
How are film endings shaped by their socio-historical context? Part 2 [PDF]
, 2004 This article explores the aspect of filmic narratolgy that has been neglected for a long time in cinema and media studies: endings. Richard Neupert's The End - Narration and Closure in the Cinema (1995), a rare work on this topic, is examined, and its ...
Brylla, Catalin
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Ecologies of the Moving Image: Cinema, Affect, Nature by Adrian J Ivakhiv [PDF]
, 2015 Review of Adrian J.
Steiner, Edie
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, 2003 The key ingredients and influences of Carax's four films (including _Les Amants du Pont Neuf_ and _Pola X_) are examined here: Paris, pop music, flanerie and amour fou, mannerist and neo-baroque aesthetics, the "Nouvelle Vague" and contemporary ...
Daly, Fergus, Dowd, Garin
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Cinema moderno no Brasil de 1968
Acervo, 2011 This article presents the questions suscitated by the Brazilian cinema novo during the sixties and the seventies, having as reference the historical year of 1968.
Andréa França, Liliane Heynemann
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Realist cinema as world cinema
, 2017 The idea that “realism” is the common denominator across the vast range of productions normally labelled as “world cinema” is widespread and seemly uncontroversial. Leaving aside oppositional binaries that define world cinema as the other of Hollywood or of classical cinema, this chapter will test the realist premise by locating it in the mode of ...
openaire +2 more sources
Documentários sobre a criação de grupos de teatro de São Paulo em processo colaborativo
Manuscrítica, 2013 Este trabalho vai focalizar os processos de criação de companhias de teatro de São Paulo através dos procedimentos de linguagem utilizados nos documentários que realizei em parceria com grupos como Teatro da Vertigem, Os Fofos Encenam, Os Satyros e ...
Evaldo Mocarzel
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