Invisible Trap (1979): A Utopian Representation of the Surveillance Society in the Second Pahlavi government [PDF]
هنرهای زیبا. هنرهای نمایشی و موسیقیPanopticon surveillance is a concept that was first used by Jeremy Bentham, an English philosopher of the 18th century, in designing a fundamentally new type of prison.
Nastaran Doregiraei, alireza sayyad
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The reception of Hungarian cinema in Polish film criticism 1945–1989 [PDF]
, 2015 In the years 1945–1989, a reader interested in Hungarian cinema could learn a lot about it from the Polish press, not only film-specific, although the number of publications devoted to this subject differed across time.
Zwierzchowski, Piotr
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Analyzing the Concept of “Abjection” in David Cronenberg’s Cinema With an Emphasis on Female Characters Based on the Theory of Julia Kristeva [PDF]
هنرهای زیبا. هنرهای نمایشی و موسیقیIn contemporary thought, abjection is understood as a mechanism for preserving the integrity of subjectivity. Julia Kristeva first introduced this concept in Powers of Horror.
Ali Rouhani, atefe sarlak
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Cinema Português/Cinema Literário? [PDF]
Aniki: Revista Portuguesa da Imagem em Movimento, 2016 Neste ensaio procura questionar-se o carácter literário do cinema português, incidindo a reflexão quer sobre o género documental, quer sobre a ficção de autor. A hipótese coloca-se a partir de análises de filmes de António Reis, frequentemente apelidado de "cineasta da poesia", e o exercício de questionamento não pretende tanto chegar a uma conclusão ...
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Film screenings in the “Polish territories” in 1896 and their international context [PDF]
, 2015 This book was financially supported by the National Programme for the Development of Humanities: project “Cinema: Intercultural Perspective. Western-European Cinema in Poland, Polish Cinema in Western Europe. Mutual Perception of Film Cultures (1918–1939)
Dębski, Andrzej
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“Cinema, Alone”/Multiple “Cinemas” [PDF]
Alphaville: Journal of Film and Screen Media, 2013 This lecture was presented as part of a series of twenty-five conferences on cinema and the arts held between 2001–2002 at the Collège d’Histoire de l’Art Cinématographique, Cinémathèque française. It was first published in French, as “Le Cinéma seul/Multiples ‘cinémas’”. Le Septième Art. Le cinéma parmi les arts. Ed. Jacques Aumont. Paris: Léo Scheer,
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Renewing Film’s Public Emphasis [PDF]
, 2015 A review of Patricia White Women’s Cinema, World Cinema: Projecting Contemporary Feminisms (Duke University Press, 2015)
Hjort, Mette
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Designing, Developing, and Evaluating XR Experiences – Selected Aspects
Zarządzanie Mediami, 2023 This paper aims to highlight various aspects of the design, development, and evaluation processes of immersive XR experiences. It focuses on the creative and expressive aspects of virtual environments
Caterina Antonopoulou +4 more
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img journal, 2021 In archaeology, the topic of fakes, copies, and imitations has been around since the 18th century. Recent studies have found that the phenomenon of counterfeit pottery worked in the ancient Greek world is very present in private and public collections ...
Monica Salvadori +2 more
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Realist Cinema as World Cinema [PDF]
, 2020 This book proposes to replace the general appellation of ‘world cinema’ with the more substantive concept of ‘realist cinema’, all the while valorising world cinema as an invaluable reservoir of diversity and inclusion. Arguing that an ethics of the real has bound world films together across history and geography at cinema’s most creative peaks, the ...
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