Results 21 to 30 of about 26,742 (266)
From the very earliest days of public cinema (moving pictures), there has been consideration about how odors and scents might influence the viewer’s experience. While initially this was primarily a concern with how to eliminate the malodor of the cinema-goers themselves, in more recent times, there have been a number of well-publicized attempts to add ...
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Analyzing the Concept of “Abjection” in David Cronenberg’s Cinema With an Emphasis on Female Characters Based on the Theory of Julia Kristeva [PDF]
In contemporary thought, abjection is understood as a mechanism for preserving the integrity of subjectivity. Julia Kristeva first introduced this concept in Powers of Horror.
Ali Rouhani, atefe sarlak
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“Cinema, Alone”/Multiple “Cinemas” [PDF]
This lecture was presented as part of a series of twenty-five conferences on cinema and the arts held between 2001–2002 at the Collège d’Histoire de l’Art Cinématographique, Cinémathèque française. It was first published in French, as “Le Cinéma seul/Multiples ‘cinémas’”. Le Septième Art. Le cinéma parmi les arts. Ed. Jacques Aumont. Paris: Léo Scheer,
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Cinema Português/Cinema Literário? [PDF]
Neste ensaio procura questionar-se o carácter literário do cinema português, incidindo a reflexão quer sobre o género documental, quer sobre a ficção de autor. A hipótese coloca-se a partir de análises de filmes de António Reis, frequentemente apelidado de "cineasta da poesia", e o exercício de questionamento não pretende tanto chegar a uma conclusão ...
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Designing, Developing, and Evaluating XR Experiences – Selected Aspects
This paper aims to highlight various aspects of the design, development, and evaluation processes of immersive XR experiences. It focuses on the creative and expressive aspects of virtual environments
Caterina Antonopoulou +4 more
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In archaeology, the topic of fakes, copies, and imitations has been around since the 18th century. Recent studies have found that the phenomenon of counterfeit pottery worked in the ancient Greek world is very present in private and public collections ...
Monica Salvadori +2 more
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Cinema Sem Conflitos. Quando Através do Cinema Também se Pode Mediar Conflitos em Contexto Escolar
O presente artigo aborda o desenvolvimento de um projeto na área da Educação em Portugal e que compreende uma dupla vertente, teórico-prática, e onde é proposta a criação e a implementação de um Recurso Educacional Aberto – designado Cinema Sem ...
Ricardo Braga Silva +2 more
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New French extreme cinema combines existentialism with shock, hyper violence, and transgressions of women’s bodies. I contend such imagery is best understood as a representation of violence that enables enlightenment in and through the representation of
Alicia Kozma
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The role of technological developments on the representation of violence in the history of cinema based on the phenomenology of Don Ihde [PDF]
Just as violence is a part of human nature and cannot be avoided, it has also been present in movies since the beginning of this art form, and it has been the subject of attention and study by various thinkers.
mojtaba fallah pour, ali sheikhmehdi
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Este artigo apresenta o programa CRIANÇAS PRIME1Rº, uma iniciativa do Serviço Educativo CINANIMA – Festival Internacional de Cinema de Animação de Espinho, com o apoio da Direção-geral de Educação – Plano Nacional de Cinema, dirigido a crianças do 1.º ...
Paulo Oliveira Fernandes +1 more
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