Superstar e Safe de Todd Haynes: Espaços Femininos Subversivos
Rebeca: Revista Brasileira de Estudos de Cinema e Audiovisual, 2020 Os woman’s films de Todd Haynes: Superstar: The Karen Carpenter Story (1987) e Safe (1995), mesmo que coincidam com o melodrama, têm a sua especificidade enquanto filmes de mulheres, de acordo com a designação de Mary Ann Doane: “The woman’s film, quite
Bárbara Paiva Correia de Vallera
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Sensory Screens, Digitized Desires: Dancing Rasa From Bombay Cinema To Reality TV [PDF]
, 2016 Bombay cinema incorporated songs, dances, choreography, staging, and costumes from a variety of traditional forms to mark a modern national identity. The pioneering figure for using dance in films was Uday Shankar in his experimental film Kalpana. Bombay’
Chakravorty, Pallabi
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Revista Portuguesa de Educação Artística, 2017 Este artigo apresenta o programa CRIANÇAS PRIME1Rº, uma iniciativa do Serviço Educativo CINANIMA – Festival Internacional de Cinema de Animação de Espinho, com o apoio da Direção-geral de Educação – Plano Nacional de Cinema, dirigido a crianças do 1.º ...
Paulo Oliveira Fernandes +1 more
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Female Flânerie and Transition from a Fetishized Object to an Observer-Subject: A Case Study on Cleo from 5 to 7 [PDF]
زن در فرهنگ و هنر, 2019 The perceptual experience of the male stroller (Flâneur), as the paradigm of the perceptual experience of modernity, is often regarded as a model to analyze the perceptual experience of the film's spectator.
Alireza Sayyad +2 more
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Nationalism and the cinema in France: political mythologies and film events, 1945-1995 [PDF]
, 2015 Hugo Frey opens his book Nationalism and the cinema in France by positioning it as complementary to the rise of scholarship on the transnational dimensions of cinema.
Willems, Gertjan
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INTERNATIONAL FORUM “OLD AND NEW MEDIA: ALONG THE PATH TOWARDS A NEW AESTHETICS” / МЕЖДУНАРОДНЫЙ ФОРУМ «СТАРЫЕ И НОВЫЕ МЕДИА: ПУТИ К НОВОЙ ЭСТЕТИКЕ» [PDF]
Наука телевидения, 2019 The article analyzes the results of the International Forum “Starye i novye media: put k novoy estetike:” [“Old and New Forms of Media: Paths Towards New Aesthetics”], which took place in Moscow on March 26–29, 2019.
BOGATYRYOVA ELENA A.
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Ten Years of Participatory Cinema as a Form of Political Solidarity with Refugees in Italy. From ZaLab and Archivio Memorie Migranti to 4CaniperStrada [PDF]
, 2018 This paper introduces the context of European mobilizations for and against refugees and how participatory cinema has become a way of expressing political solidarity with refugees in Italy.
Frisina, ANNALISA MARIA +1 more
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, 2017 Like the island itself, the cinema of Taiwan has always been in a perpetual state of liminality. Taiwan was a Japanese colony for fifty years (1895–1945) and during that time no cinema that could be labeled as distinctively “Taiwanese” emerged.
Udden, James N.
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Cinema programs as a source for research on historical film audiences. Berlin 1945–1949 [PDF]
, 2015 In my paper, I analyse programs from cinemas in all four sectors of occupied Berlin from 1945 to 1949. I focus primarily on ads. Looking at cinema programs allows me to conduct research on local audiences by taking into consideration the social ...
Saryusz-Wolska, Magdalena
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