Results 41 to 50 of about 633,327 (242)

Sci-fEAST: Science fiction genre in Polish and Czechoslovakian cinema [PDF]

open access: yes, 2015
This article is based on research done as part of Sci-fEAST: the Science Fiction Genre in Central and Eastern Europe project initiated by the students of Charles University in Prague and continued also by the academic staff of the University of Łódź ...
Góralik, Mikołaj
core   +1 more source

A Animação de Imagens no 1.º Ciclo do Ensino Básico Programa CRIANÇAS PRIME1Rº do Serviço Educativo CINANIMA

open access: yesRevista Portuguesa de Educação Artística, 2017
Este artigo apresenta o programa CRIANÇAS PRIME1Rº, uma iniciativa do Serviço Educativo CINANIMA – Festival Internacional de Cinema de Animação de Espinho, com o apoio da Direção-geral de Educação – Plano Nacional de Cinema, dirigido a crianças do 1.º ...
Paulo Oliveira Fernandes   +1 more
doaj   +1 more source

INTERNATIONAL FORUM “OLD AND NEW MEDIA: ALONG THE PATH TOWARDS A NEW AESTHETICS” / МЕЖДУНАРОДНЫЙ ФОРУМ «СТАРЫЕ И НОВЫЕ МЕДИА: ПУТИ К НОВОЙ ЭСТЕТИКЕ» [PDF]

open access: yesНаука телевидения, 2019
The article analyzes the results of the International Forum “Starye i novye media: put k novoy estetike:” [“Old and New Forms of Media: Paths Towards New Aesthetics”], which took place in Moscow on March 26–29, 2019.
BOGATYRYOVA ELENA A.
doaj   +1 more source

First encounters: French literature and the cinematograph [PDF]

open access: yes, 2008
Drawing on roughly forty years of French writing for examples, from the invention of the cinematograph to the publication of the first history of cinema in France, my aim in this essay is to consider how literature represented going to the cinema while ...
Lack, R.-F.
core   +1 more source

Eloquent fragments: French fiction film and globalization [PDF]

open access: yes, 2007
French (and Franco-Belgian) cinema has witnessed a return to the real since the middle of the 1990s and should thus successfully have pinned down the impact of the globalizing economy on the sociopolitical sphere.
O'Shaughnessy, M
core   +1 more source

Il cinema di Ingmar Bergman in italia: la rappresentazione del sesso tra censura e mondo cattolico

open access: yesSchermi, 2017
L’erotismo e la rappresentazione della sessualità e delle dinamiche dell’intimità della vita di coppia hanno accompagnato il cinema di Ingmar Bergman fin dalle sue prime prove registiche, divenendo nel corso del tempo una delle cifre tematiche in cui ...
Fabio Pezzetti Tonion
doaj   +1 more source

The relocation of cinema

open access: yesNECSUS. European Journal of Media Studies, 2012
In October 2011, the British artist Tacita Dean presented her work FILM at the Tate Modern in London. Dean’s installation is a film short projected in a continuous loop onto a large screen in a dark space furnished with seats for visitors. The written explication at the entrance to the room draws attention to the presence of all these elements: ‘35mm ...
openaire   +4 more sources

Socialist film co-productions. The case of the Polish-Czechoslovak film co-production What Will My Wife Say to This? (1958) by Jaroslav Mach [PDF]

open access: yes, 2015
This article offers an analysis of the Polish-Czechoslovak co-production What Will My Wife Say to This? (Co řekne žena, 1958, directed by Jaroslav Mach) as seen from the perspective of production-related and cultural factors.
Ciszewska, Ewa
core   +1 more source

The artistic treatment of the expatriate character in the fictional film

open access: yesالاكاديمي, 2021
Although cinema is moving towards art, it has dealt with the character since the beginning of the discovery of cinematic art in films such as (Doctor Caligari's cabin) and most German expressive films in the third decade of the twentieth century, but the
Asia Jabar Khalaf
doaj   +1 more source

Sex in the city: the rise of soft-erotic film culture in Cinema Leopold, Ghent, 1945-1954 [PDF]

open access: yes, 2015
Since the 1990s, film studies saw a disciplinary shift from approaches favoring a textual and ideological analysis of films to a broader understanding of the socio-cultural history of cinema under the banner of new cinema history.
Biltereyst, Daniël   +1 more
core   +1 more source

Home - About - Disclaimer - Privacy