Results 11 to 20 of about 409,755 (256)

Clap de fin ? La mutation des publics du cinéma au temps du numérique

open access: yesThéorème, 2022
In France, the aim is to analyze the mutation of audiences that has taken place in parallel with the industrial transformation of the cinematographic sector and its quiet transition.
Philippe Chantepie
doaj   +1 more source

Sustainable Moviegoer Intention to Attend Cinemas Based on the Theory of Planned Behavior [PDF]

open access: yesSustainability, 2021
The present research aims to determine which factors of the theory of planned behavior most influence the intention to watch Mexican movies, and, at the same time, to measure the impact of eWOM and the level of audience involvement in the intention. For this purpose, an online questionnaire was applied through social networks, obtaining a sample of 334
Nerea Alejandra Ramírez-Castillo   +6 more
openaire   +1 more source

Socio-political features and prospects for the development of the Russian movie industry through the prism of the history of soviet cinema and international film industry experience

open access: yesНаука. Культура. Общество, 2022
The article is devoted to the Russian movie industry and the problems that national cinema is currently facing. This applies to surface level, urgent difficulties, such as the rapid decline in cinema attendance in the absence of Hollywood tentpoles at ...
Arseniy I. Tumanov
doaj   +1 more source

LINGUISTIC AND CULTURAL ADAPTATION OF FOREIGN STUDENTS AT THE UNIVERSITY OF CALIFORNIA, LOS ANGELES, UCLA [PDF]

open access: yesВісник Університету імені Альфреда Нобеля. Серія Педагогіка і психология, 2021
The article analyzes the linguistic and socio-cultural adaptation training of foreign students at the University of California, Los Angeles, UCLA (USA). It was determined, that acculturation consists of two main components: linguistic and sociocultural.
Yaroslav S. Slutskiy
doaj   +1 more source

Digitalisation of the flm industry in the context of the COVID-19 pandemic

open access: yesE-Management, 2022
The structure of the flm industry has changed signifcantly over the past two years. The decline in cinema attendance, the activation of flm distribution on digital platforms, the decline in the level of flm production and other reasons have led to a ...
M. I. Kosinova, P. N. Ignatova
doaj   +1 more source

Comments on media trends in South Africa based on AMPS 1976-1980

open access: yesCommunicare, 2022
In this article, which is based on data obtained from the annual AMPS projects of the SAARF, media trends in South Africa is commented on. It is observed that while the media use among the Coloureds, Whites and Asians is declining (all media except ...
Thomas Oosthuizen
doaj   +1 more source

Empire Seen from Within. Cinema Objects, Spaces and Edifices in the Limelight in Colonial India and Ceylon (1899-1950)

open access: yesCahiers Victoriens et Edouardiens, 2021
While research on material culture has focused abundantly on objects of everyday life as a way of observing societies and understanding our past, only in recent times has it concerned itself with the study of those related to cinema, one of the ‘more ...
Vilasnee Tampoe-Hautin
doaj   +1 more source

Unlearning Attendance Summit: Executive Summary Recap

open access: yes, 2021
This executive summary reports on Indiana’s 2021 Virtual Summit on Unlearning Attendance. The summit seeks to build a shared response to reassess the baseline and value of education for our children.
Martin, Kristen   +3 more
core   +1 more source

The audience and reception of the films from the Profil Film Unit in 1982-1989

open access: yesImages, 2023
The subject of this article is an analysis of the distribution, attendance results and reception of feature films made by the Profil Film Unit in 1982–1989.
Jarosław Grzechowiak
doaj   +1 more source

Understanding Dutch film culture: A comparative approach

open access: yesAlphaville: Journal of Film and Screen Media, 2013
In terms of cinema attendance, the Netherlands has always differed from other European countries. During the first decade of permanent film exhibition "a crucial phase in cinema's development as a mass medium" the movies failed to gain a firm foothold in
Judith Thissen
doaj   +1 more source

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