Results 1 to 10 of about 596 (161)
Spy and Counterspy as a “Cultural Hero” in the Soviet Cinema of the Cold War [PDF]
This article aim to analyze the evolution of the Soviet spy cinema of the Cold War in the context of the cultural history and the social changes in the USA and the Soviet Union, and the relations with the political opponents.
Viktoria Sukovataya
exaly +1 more source
Science, Medicine and the Creation of a ‘Healthy’ Soviet Cinema [PDF]
Toropova A.
exaly +2 more sources
Military Utopias in Soviet Cinema [PDF]
The article is devoted to the history of the military utopia genre in the Soviet cinema of the 1920s-1930s. The work analyses its origins, provides an overview and analysis of the main films belonging to this genre, and examines the reasons for its ...
Vinogradov Vladimir V.
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A Chapter in Latvian Cinema History: The Process of Cinefication (1940–1941; 1944–1953) [PDF]
A campaign of киноÑикаÑÐ¸Ñ (cinefication) was started in the Soviet Union in the 1920s with the aim of making cinema accessible to the public across the country.
Rosario Napolitano, Epp Lauk
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This article gives a comprehensive overview over the lesser-known history of the institutionalization of educational film in the Soviet Union. While Soviet cinema in general was conceived as an educator of the masses according to a communist vision, at ...
Lena Serov
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SOVIET CITY CINEMA OF THE 1930s –1950s: BETWEEN SCIENTIFIC ANALYSIS AND CONSTRUCTION PRACTICE
The article considers the relationships between theoretical developments and architectural design practice in their search for an optimal type of Soviet city cinema in the 1930s – 1950s focusing on the theoretical studies and practical developments ...
Konysheva Evgeniya V.
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Simon Esadze and Early Film Culture in Georgia
The history of Georgian cinema can be divided into four main historical periods: pre-1918 cinema, when Georgia was part of the Russian Empire; cinema during the short-lived but culturally exciting Democratic Republic of Georgia (1918-1921), followed by ...
Nino Dzandzava
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This article presents an attempt to comprehend Soviet rural cinematography as a mechanism of forming imaginary space. The Soviet cinema is analysed as one of the mechanisms of identity formation and place attachment based on Benedict Anderson’s concept ...
Aleksandr Aleksandrovich Fokin +1 more
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“But I Love the Letter O the Most of All Letters!” From Margarita Barskaya’s Archive [PDF]
The article presents texts by Margarita Barskaya, a Soviet film director and one of the founders of the Soviet children’s cinema, from the archive of the Film Museum. The texts are for the first time introduced into scientific discourse; they help reveal
Krasnova, Garena
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