Results 11 to 20 of about 623 (188)

“Un-cinematic” and Clean: Japanese Film as Viewed by the 1920s Soviet Press

open access: yesRussian Japanology Review, 2022
Soviet film director Sergei Eisesnstein, formulated some of his most influential ideas in filmmaking through his study of traditional Japanese arts. His lifelong fascination with Japanese culture and its alleged disposition for montage generated a number
A. A. Fedorova
doaj   +1 more source

Soviet Spy Cinema of the early Cold War in Context of the Soviet Cultural Politics

open access: yesEsboços, 2016
The article is devoted to analyses of the Soviet cultural consciousness during the Cold War, which was refected in the genre of spy cinema and literature.
Viktoria Sukovata
doaj   +1 more source

Sergei Mikhailovich Tretyakov: “…There is much debate regarding silent and sound cinema…” [PDF]

open access: yesТелекинет
This article provides an analysis of the creative legacy and cinematic contributions of Sergei Tretyakov (1892–1937), a prominent Soviet writer and filmwright.
Garena Krasnova
doaj   +1 more source

Memory of Betraition: The Image of a Collaborationist in Post-War Soviet Cinema

open access: yesВестник Волгоградского государственного университета. Серия 4. История, регионоведение, международные отношения, 2023
Introduction. Researchers have studied manifestations of collaborationism of Soviet citizens during the Great Patriotic War quite well, however, the problem of the perception of collaborators in the postwar period needs additional coverage.
Oleg Romanko, Ekaterina Prosolova
doaj   +1 more source

Russian Literature on Cinema (Short Essay) [PDF]

open access: yesХудожественная культура
The article suggests that literature about cinema depends very much on cinema, and not only on its repertoire, but also on more significant, deeper issues.
Izvolov Nikolai A.
doaj   +1 more source

Self-Sacrifice of a Scientist in Soviet-Russian Cinema

open access: yesVestnik MGIMO-Universiteta, 2015
: In the article we analyze the evolution of the idea of self-sacrifice of a scientist in Soviet-Russian cinema (from 1930th until now). The research is based on Weber-Merton’s assumption that the development of modern science stemmed from religion.
Svetlana M. Medvedeva
doaj   +5 more sources

“The most important of all arts”: Film images of the Soviet past in the Russian myth-making practice [PDF]

open access: yesИзвестия Саратовского университета. Новая серия: Серия Философия. Психология. Педагогика
Introduction. The article investigates the specifics of cinematic images of the USSR in Russian myth-making practice. The main objective of the study is to analyze the impact of images of the Soviet past, created and broadcast by post-Soviet cinema, on ...
Tselykovsky, Aleksey Andreevich
doaj   +1 more source

Visual film myths of the soviet era in the ideological creation of a "new" person / Визуальные киномифы советской эпохи в идеологическом созидании «нового» человека

open access: yesИндустрии впечатлений: Технологии социокультурных исследований, 2022
Soviet culture and ideology gave rise to a special type of social mythology that allowed solving short-term socio-political and economic problems, as well as creating and successfully promoting the archetypal image of the Soviet man as a variant of the ...
Sergey Malenko / Маленко Сергей Анатольевич   +1 more
doaj   +1 more source

Studies in Russian and Soviet Cinema [PDF]

open access: yesStudies in Russian and Soviet Cinema, 2020
The journal’s third issue for 2020 appears, unaffected by the pandemic that has gripped almost the entire planet.
openaire   +1 more source

National cinematography development in Kazakhstan: historiography of the problem

open access: yesStudia Humanitatis, 2022
One of the biggest challenges for the peoples of the post-Soviet space became the search and development of national identity. In the Soviet Union cinema has always been an important tool for socialist and communist ideology propaganda, and the ...
Kozhabergenova Anel Yerkenovna
doaj  

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