Results 11 to 20 of about 446,260 (237)
Military Utopias in Soviet Cinema [PDF]
The article is devoted to the history of the military utopia genre in the Soviet cinema of the 1920s-1930s. The work analyses its origins, provides an overview and analysis of the main films belonging to this genre, and examines the reasons for its ...
Vinogradov Vladimir V.
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Russians abroad in postcommunist cinema [PDF]
This study seeks to analyse cinematic representations of Russian characters that are portrayed as existing outside the Russian Federation,or ‘abroad’, by focusing on postcommunist cinema and the way it depicts the changing identities that occurred with ...
Kristensen, Lars Lyngsgaard Fjord
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Soviet Spy Cinema of the early Cold War in Context of the Soviet Cultural Politics
The article is devoted to analyses of the Soviet cultural consciousness during the Cold War, which was refected in the genre of spy cinema and literature.
Viktoria Sukovata
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Sergei Mikhailovich Tretyakov: “…There is much debate regarding silent and sound cinema…” [PDF]
This article provides an analysis of the creative legacy and cinematic contributions of Sergei Tretyakov (1892–1937), a prominent Soviet writer and filmwright.
Garena Krasnova
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Memory of Betraition: The Image of a Collaborationist in Post-War Soviet Cinema
Introduction. Researchers have studied manifestations of collaborationism of Soviet citizens during the Great Patriotic War quite well, however, the problem of the perception of collaborators in the postwar period needs additional coverage.
Oleg Romanko, Ekaterina Prosolova
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Studies in Russian and Soviet Cinema [PDF]
The journal’s third issue for 2020 appears, unaffected by the pandemic that has gripped almost the entire planet.
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Russian Literature on Cinema (Short Essay) [PDF]
The article suggests that literature about cinema depends very much on cinema, and not only on its repertoire, but also on more significant, deeper issues.
Izvolov Nikolai A.
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Self-Sacrifice of a Scientist in Soviet-Russian Cinema
: In the article we analyze the evolution of the idea of self-sacrifice of a scientist in Soviet-Russian cinema (from 1930th until now). The research is based on Weber-Merton’s assumption that the development of modern science stemmed from religion.
Svetlana M. Medvedeva
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“The most important of all arts”: Film images of the Soviet past in the Russian myth-making practice [PDF]
Introduction. The article investigates the specifics of cinematic images of the USSR in Russian myth-making practice. The main objective of the study is to analyze the impact of images of the Soviet past, created and broadcast by post-Soviet cinema, on ...
Tselykovsky, Aleksey Andreevich
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