Results 31 to 40 of about 623 (188)

Abai and Zhambyl:

Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2023
This research examines the portrayal of Kazakh historical figures in Soviet and post-Soviet cinema, focusing on four films about two iconic Kazakh poets – Abai Qunanbaiuly and Zhambyl Zhabaev. The study draws on archival material and textual analysis to
Assiya Issemberdiyeva
doaj   +1 more source

The Not‐So‐Neue Frau: Weimar Berlin's Modern Women and Generational Identity After 1945

Gender &History, EarlyView.
ABSTRACT This article studies the post‐1945 literary careers of Gabriele Tergit and Ilse Langner, two ageing German writers. Both had enjoyed promising careers as young women in Weimar Berlin, but Nazism and war disrupted their professional trajectories in varying ways. After 1945, they tried and failed to recapture their Weimar‐era success, eventually
Katharina Friege
wiley   +1 more source

The Language of Gendered Violence and Sexual Aggression in the Spanish Civil War: Conceptualizations and Reassessments

History, EarlyView.
Abstract This article examines the conceptual vocabulary through which violence against women during the Spanish Civil War has been interpreted, with particular attention to the longstanding predominance of the category ‘sexed violence’ (violencia sexuada).
SABINA MOMPÓ TORIBIO
wiley   +1 more source

« L'État de tous les spectateurs »

Conserveries Mémorielles, 2012
In the beginning of the 1950s, the cinema is one of the spheres where the Soviet government undertakes reform projects: an economic development of production and distribution systems, but also a modernization of equipment and the levelling of the ...
Irina Tcherneva
doaj  

‘Fine Men from Afar’: Cricket and Empire on the Home Front

History, EarlyView.
Abstract During the Second World War, contrary to enduring images of bombardment and scarcity, people on Britain's ‘Home Front’ continued to take part in a broad array of sporting activities. Cricket played a more significant role in the wartime sporting landscape than many historians have previously recognized.
Michael Collins
wiley   +1 more source

The Spectator as a Lifelong Pupil: Bringing up a Soviet Man. Review of: Mikhailin, V., & Belyaeva, G. (2020). Skrytyi uchebnyi plan. Antropologiia sovetskogo shkol’nogo kino nachala 1930-kh — serediny 1960-kh godov [Hidden Curriculum. Anthropology of the Soviet School Cinema in the Early 1930s — mid-1960s]. Moscow: Novoe literaturnoe obozrenie. 584 p.

Известия Уральского федерального университета. Серия 2: Гуманитарные науки, 2022
In the Russian humanities, cultural and anthropological studies of Soviet feature cinema are poorly represented. The monograph reviewed is one of the few significant studies in this field.
Elena Sergeevna Kochukhova
doaj   +1 more source

‘Enthusiasts’ and ‘Fanatics’: The Decembrists as a Case Study in French Influence on Russian Culture, Emotions and Thought

History, EarlyView.
Abstract Participants in Russia's 1825 Decembrist uprising against the Tsarist regime were, quite literally, a case study in French cultural influence upon Russia. This is particularly true as it relates to Russia's emotional cultures. Although this has not, traditionally, been the primary focus of historical analysis of this event (in Soviet or ...
ADAM COKER
wiley   +1 more source

ABREK IN SOVIET CINEMA

History, Archeology and Ethnography of the Caucasus
The visual art and narrative of the national cinema reveal the cultural, ethnic, religious and political attitudes of the state in which the authors work. The main research objective of this article is to analyse the role of Soviet cinema in changing the status of the abrek from a social outcast to the main fighter for revolutionary justice.
Ritsa Zelnitskaya, Natalia Kazurova
openaire   +1 more source

Sino‐Mexican Encounters Before the ‘Diplomatic Opening’: Exhibition Diplomacy and Grassroots Friendship in the 1960s

History, EarlyView.
Abstract During the 1960s, Mexico's Institutional Revolutionary Party (PRI) embraced Chinese overtures for a commercial opening as consistent with its anti‐imperialist posture, thereby foreshadowing the diplomatic opening to China in 1972. Yet this professed ideological pluralism was eclipsed by an underlying allegiance to the United States' anti ...
YIXIN TIAN
wiley   +1 more source

The cultural codes transmitted to the audience through animated films in Soviet Kyrgyz cinema [PDF]

SHS Web of Conferences
The primary objective of this study is to identify the animated films produced in Kyrgyz cinema during the Soviet Union era and to reveal the cultural values transmitted to children through these films.
Erdoğan Çakar Banu
doaj   +1 more source