Results 31 to 40 of about 446,260 (237)
The visual art and narrative of the national cinema reveal the cultural, ethnic, religious and political attitudes of the state in which the authors work. The main research objective of this article is to analyse the role of Soviet cinema in changing the status of the abrek from a social outcast to the main fighter for revolutionary justice.
Ritsa Zelnitskaya, Natalia Kazurova
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History as an Image: Ecranisation of King Danylo Romanovych
The formation of the Soviet image of the past in the context of the doctrine of «our great ancestors» was extended not only to historiography, fiction and journalism. A special place was occupied by cinema.
Nazarii Khrystan
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ABSTRACT The contributions of propagandist and writer Hildegart (1914–1933) to Spanish cultural life are overshadowed by accounts of her unusual upbringing and violent death. This article examines the conditions that enabled the teenager to become a prominent voice for feminism and sexual reform on the eve of Spain's Second Republic (1931–1939).
Micaela Pattison
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Good Ukrainians vs Petliurites: The Ukrainian Revolution as a Soviet, Young-Adult Tale
: Using as a case study Vladimir Beliaev’s popular young-adult novel The Old Fortress and its two film adaptations, this article examines evolving Soviet representations of the Ukrainian Revolution.
Serhy Yekelchyk
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Intellectual Property Restitution
In Europe, open GLAM movements and cultural restitution reforms are overlooking a crucial aspect that should not be underestimated: what should happen to the archival materials, digital collections and intellectual property that are indelibly linked to cultural property.
Andrea Wallace, Mathilde Pavis
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‘Fine Men from Afar’: Cricket and Empire on the Home Front
Abstract During the Second World War, contrary to enduring images of bombardment and scarcity, people on Britain's ‘Home Front’ continued to take part in a broad array of sporting activities. Cricket played a more significant role in the wartime sporting landscape than many historians have previously recognized.
Michael Collins
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This research examines the portrayal of Kazakh historical figures in Soviet and post-Soviet cinema, focusing on four films about two iconic Kazakh poets – Abai Qunanbaiuly and Zhambyl Zhabaev. The study draws on archival material and textual analysis to
Assiya Issemberdiyeva
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Abstract Participants in Russia's 1825 Decembrist uprising against the Tsarist regime were, quite literally, a case study in French cultural influence upon Russia. This is particularly true as it relates to Russia's emotional cultures. Although this has not, traditionally, been the primary focus of historical analysis of this event (in Soviet or ...
ADAM COKER
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« L'État de tous les spectateurs »
In the beginning of the 1950s, the cinema is one of the spheres where the Soviet government undertakes reform projects: an economic development of production and distribution systems, but also a modernization of equipment and the levelling of the ...
Irina Tcherneva
doaj
Abstract During the 1960s, Mexico's Institutional Revolutionary Party (PRI) embraced Chinese overtures for a commercial opening as consistent with its anti‐imperialist posture, thereby foreshadowing the diplomatic opening to China in 1972. Yet this professed ideological pluralism was eclipsed by an underlying allegiance to the United States' anti ...
YIXIN TIAN
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