Results 161 to 170 of about 305 (185)

Australian cinema's dark sun: the boom in Australian horror film production

Studies in Australasian Cinema, 2010
Mark David Ryan
exaly  

The feminine appeal of British horror cinema

New Review of Film and Television Studies, 2015
Alison Peirse
exaly  

Tales of Terror in Québec Popular Cinema: The Rise of the French Language Horror Film since 2000

American Review of Canadian Studies, 2013
André Loiselle
exaly  

The Female Figure in Irish Horror Cinema – An Analysis of Son (2021), by Ivan Kavanagh: mapeando a irlandesidade em "Son" (2021) de Ivan Kavanagh

"Son" (2021), written and directed by Irishman Ivan Kavanagh, follows Laura, a distressed mother whose son David contracts a mysterious illness. Although set in the United States, the narrative parallels the experiences of single mothers in Ireland, who were placed in institutions like Mother and Baby Homes until the 1990s. This study explores how "Son"
de Santana Motonio, Maria Clara, Santos da Silva, Sanio   +1 more
openaire   +1 more source

Transnational spectres and regional spectators: Flexible citizenship in new Chinese horror cinema

Journal of Chinese Cinemas, 2012
exaly  

A produção do cinema de horror no Brasil

openaire   +1 more source

FromZinda Laash to Zibahkhana: Violence and Horror in Pakistani Cinema

Third Text, 2010
exaly  

Discourse of the damned: On Canadian horror cinema

Horror Studies, 2015
David Christopher
exaly  

Thelma: Empathic engagement and the Norwegian horror cinema

Journal of Scandinavian Cinema, 2019
exaly  

Blood on the Lens

2022
exaly