Results 1 to 10 of about 7,417 (159)

Cringe Comedy as Social Horror

open access: yesRivista di Estetica
Why do we enjoy comedy that makes us cringe in embarrassment? This paper makes the case that cringe comedy is a form of social horror, and many of the theoretical approaches that have been developed to analyze the appeal of horror fictions can be ...
Matthew Strohl
doaj   +2 more sources

“Spaces of Contemporary Horror: Poverty and Social Exclusion as 21st Century Spectres” [PDF]

open access: yesHome Cultures, 2019
This research explores the connections between the recent economic crisis and the contemporary horror film.
Aaron Rodríguez Serrano
exaly   +2 more sources

Teaching Social Critique to Adults with A Desktop Horror Myth Game

open access: yesProcedia Computer Science, 2018
Abstract This paper propose a serious game to teach social critique to adults with a desktop horror myth game, as the moral story of the myth fits to the social subject to teach to the player/learner. Social problems have been an interesting subject to talk, discuss, and debate in all around the world.
Andry Chowanda
exaly   +2 more sources

From Social Allegory to Political Statement: Academic Reception of American Horror of the 21st Century [PDF]

open access: yesАнтиномии, 2023
For a long time, horror was an entertaining cinema genre. Since the late 1970s, critics and scholars have gradually started to examine it in terms of social and political content, often conveyed allegorically.
Alexander V. Pavlov
doaj   +1 more source

A Corpus-Based Socio-Onomastic Analysis On Turkish And American Horror Film Naming

open access: yesCINEJ Cinema Journal, 2023
Both fear and horror have been extensively explored as universal unpleasant emotions with significant effects on psychological well-being. It is believed that horror is the feeling aroused when watching a horror film, and a sense of suspense and ...
Ferdi Bozkurt   +1 more
doaj   +1 more source

Deconstructing fear in Indonesian cinema: Diachronic analysis of antagonist representations in half a century of Indonesian horror films 1970-2020

open access: yesCogent Arts & Humanities, 2023
The antagonist representations in horror films demonstrate how cultural symptoms of a community respond to fear. The diachronic analysis in this study employs a mixed method to analyze the dynamics of antagonist representation in Indonesian horror films.
Justito Adiprasetio
doaj   +1 more source

Psychophysiological correlates of sexually and non-sexually motivated attention to film clips in a workload task. [PDF]

open access: yesPLoS ONE, 2011
Some authors have speculated that the cognitive component (P3) of the Event-Related Potential (ERP) can function as a psychophysiological measure of sexual interest. The aim of this study was to determine if the P3 ERP component in a workload task can be
Sandra Carvalho   +3 more
doaj   +1 more source

A Study of the story "The Myth of Al-Naddaha " by Ahmad Khalid Tawfiq through social criticism [PDF]

open access: yesنقد ادب معاصر عربی, 2023
Introduction: New studies in the content analysis of fiction and novels are as extensive as critical approaches and fictional texts. In this regard, social criticism is a subset of author-centric or hypertext criticism.
Reza Mirzaie, Alireza Shaikhi
doaj   +1 more source

Horrible Heroes: Liberating Alternative Visions of Disability in Horror

open access: yesDisability Studies Quarterly, 2016
Understanding disability requires understanding its social construction, and social construction can be read in cultural products. In this essay, I look to one major locus for images of persons with disabilities—horror.
Melinda Hall
doaj   +1 more source

HORROR FILMS IN UNCONSCIOUS ANTHROPOLOGICAL STRATEGIES OF BIOPOWER

open access: yesAntropologìčnì Vimìri Fìlosofsʹkih Doslìdžen', 2018
Purpose. The article is devoted to horror films as forms of anthropological crisis in mass culture, which generate specific meanings and are presented in ways of control over consumer society, as well as act as unconscious ideological mediators of ...
S. A. Malenko, A. G. Nekita
doaj   +1 more source

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