Results 11 to 20 of about 7,516 (258)

Onde Vivem os Monstros? Enlaces entre Cinema, Adolescência e Horror

Estudos e Pesquisas em Psicologia, 2023
Partindo da ideia de Stephen King de que as produções de horror servem como um barômetro muito preciso que aponta aquilo que aterroriza uma sociedade, este artigo tem como objetivo propor uma reflexão acerca dos enlaces entre adolescência, cinema e ...
Bruna Rabello de Moraes, Alice Sippert, Amadeu de Oliveira Weinmann   +2 more
doaj   +1 more source

Black Im/Mobilization, Critical Race Horror, and the New Jim Crow in Jordan Peele's Get Out

Journal of the Austrian Association for American Studies, 2021
In the United States, people of color are not allowed to move around freely in spatial or social terms. Confronted with the everyday horrors of racial segregation, discrimination, and the legacies of slavery, African Americans continue to be excluded ...
Alexandra Hauke
doaj   +1 more source

Analisis Semiotika Terhadap Tokoh Utama Perempuan dalam Film Perempuan Tanah Jahanam

Az-Zahra, 2023
Horror is still a popular genre in the growth of Indonesian films. Female characters are often featured iconically in the narrative of a horror film. However, there is a negative stigma about the presence of female characters in horror films who appear ...
Glen Aviaro Samanda, Ade Kusuma
doaj   +1 more source

O COTIDIANO MACABRO

Revista de Estudos de Cultura, 2020
Este trabalho se propõe a analisar a composição do terror no conto “El chico sucio” (2016), de Mariana Enríquez. Partindo da ideia de que essa narrativa da autora argentina traz em sua estrutura procedimentos narrativos do gótico-terror-horror atrelados ...
Rodrigo de Freitas Faqueri, Daniele Ap. Pereira Zaratin   +1 more
doaj   +1 more source

Rediscovering Horror – From Graveyard Poetry to Popular Culture

[sic], 2016
Horror: A Literary History, edited by Xavier Aldana Reyes, is divided into seven chapters which function as separate essays that can be read without having specific knowledge about the horror genre.
Emilia Musap
doaj   +1 more source

A Map for Reading Trauma and Fear in the American Literary and Cultural Tradition

[sic], 2022
Since the very first appearance of eighteenth-century Gothic tales, horror narratives have had a lot to say about space, that is, of how human protagonists interact with their surroundings, and how the environment reflects and affects their feelings ...
Tijana Parezanović
doaj   +1 more source

Road Trauma, a socially accepted horror movie [PDF]

BMJ, 2004
Ihave the incredible good fortune to have been born in a rich, peaceful country. I know nothing of war or terrorism, apart from the images I see on the television news. But if television wars have any “justification,” then what of the war that I have to attend to—a war that kills every day?
openaire   +1 more source

Terror no sertão : um encontro entre o fantástico, o humor e a crítica social

Amerika, 2023
The sertão has been taken as a space for the development of horror literature since the 19th century, according to Silva (2016), with works such as O Cabeleira (1876), by Franklin Távora and Os brilhantes (1895), by Rodolfo Teófilo.
Laís Maria Rosal Botler
doaj   +1 more source

Horror and Memory: Traces of Collective Memory in Turkish Horror Cinema

4. Boyut Medya ve Kültürel Çalışmalar Dergisi
The deep narrative universe of Turkish horror cinema that reflects collective memory, Islamic and Turkish mythology, spatial reminders and traumatic memories combine to offer individuals a story that is both familiar and uncanny. In addition to examining
Çağla Coşar
doaj   +1 more source

How is Fear Constructed? A Narrative Approach to Social Dread in Literature

Interlitteraria, 2018
Fear-inducing narratives can be divided into two subtypes of horror and dread. While horror stories concentrate on a concrete visible object such as a monster, in dread narratives the object of fear is abstract or absent altogether.
Kairi Jets
doaj   +1 more source