Results 81 to 90 of about 68,183 (221)

The Racialisation of Rape: A Far‐Right Tool for Boundary‐Creation Across Borders

Nations and Nationalism, EarlyView.
ABSTRACT Far‐right parties and movements have increasingly come to incorporate ideas of gender equality into their political agendas. While seemingly out of concern for women's rights and safety, these issues are in reality seldom more than a veil to further the stigmatisation of Muslim men.
Mathilda Åkerlund
wiley   +1 more source

The Voice Disrupted: Articulation, Hesitation, and Moral Seriousness in F. R. Leavis's Pedagogy

Critical Quarterly, EarlyView.
Steven Cranfield
wiley   +1 more source

Trauma and affect in a Holocaust survivor's story: Rosita Fanto's novel Rozalia Alone

Orbis Litterarum, EarlyView.
Abstract My article endeavors to redress the neglect of Rosita Fanto's Rozalia Alone (2010), which deals with a page of history that is less known worldwide, the Holocaust in Romania. Using a trauma studies perspective that mixes with affect theory, the article demonstrates that Rozalia Alone covers in a nutshell the whole magnitude of the late 1930s ...
Arleen Ionescu
wiley   +1 more source

Somerset Maugham's Failings

Critical Quarterly, EarlyView.
Allan Hepburn
wiley   +1 more source

A portrait unseen: Neil Bartlett's queer theatrical adaptation of Wilde's Dorian Gray

Orbis Litterarum, EarlyView.
Abstract Neil Bartlett's 2012 theatrical adaptation of The Picture of Dorian Gray presents a provocative reimagining of Wilde's novel, emphasizing its homoerotic and aesthetic dimensions while engaging with the historical and cultural anxieties surrounding queerness.
Younes Poorghorban
wiley   +1 more source

Middlebrow Aesthetics: An Explanation and Defense

Pacific Philosophical Quarterly, EarlyView.
ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
wiley   +1 more source

O carro no cinema: notas para o medo no território cinematográfico

Lumina
O que o carro pode expressar obre a relação entre território urbano, o cinema e o medo? Pensando nisso, o artigo analisa Aquarius (2016), a partir da perspectiva bakhtiniana dialógica do discurso, que parece viabilizar a compreensão do cinema enquanto ...
Luís Henrique Marques Ribeiro
doaj   +1 more source

The Subversion of Factual Discourse in Found Footage Films

Aletria: Revista de Estudos de Literatura, 2016
Este artigo analisa como o design textual de filmes do formato found footage subverte o discurso factual a fim de potencializar a pretendida sensação de horror na tela. Filmes como Canibal Holocausto (1980), A Bruxa de Blair (1999), Atividade Paranormal (
Claudio Vescia Zanini
doaj   +1 more source

Fighting a War You\u27ve Already Lost: Zombies and Zombis in \u3cem\u3eFirefly/Serenity\u3c/em\u3e and \u3cem\u3eDollhouse\u3c/em\u3e [PDF]

, 2011
This article explores the use of zombie imagery in two sf narratives created by Joss Whedon: Firefly (US 2002–3), Serenity (US 2005) and Dollhouse (US 2009–10).
Canavan, Gerry
core   +1 more source

Russia and the Birth of Right‐Wing Terrorism: Mass Politics, Antisemitism, and the Assassination of Mikhail Gertsenshtein

The Russian Review, EarlyView.
Abstract This article examines the assassination of Duma representative Mikhail Gertsenshtein in July 1906 as the pivotal moment for the emergence of the concept of “right‐wing terrorism” (pravyi terrorizm) in the Russian Empire. Drawing on court documents, police files, and censorship reports, this article argues that the significance of the ...
Moritz Florin
wiley   +1 more source