Results 61 to 70 of about 305 (185)

Criaturas de la guerra. Memorias traumáticas de la guerra civil en el cine español contemporáneo

Aletria: Revista de Estudos de Literatura, 2013
(se incluye en español y en inglés) Este artículo aborda el estudio de un conjunto de películas de la primera década del siglo XXI que, con el trasfondo de la guerra civil y la posguerra, han construido relatos desde las coordenadas del cine fantástico ...
Manuel Nicolás Meseguer
doaj   +1 more source

Filmes brasileiros de mulheres paranóicas: as segundas mulheres e o horror no cinema brasileiro

E-Compós, 2011
Tem-se como objetivo discutir aspectos do gênero horror presentes em cinco longas-metragens paulistas protagonizados por mulheres durante os anos 1950. Quer-se sugerir que tais obras, inspiradas no que Mary Ann Doane (1987) chamou de “paranoid woman’s films” hollywoodianos dos anos 1940, podem ter tido alguma influência sobre filmes de horror ...
openaire   +2 more sources

Trauma and affect in a Holocaust survivor's story: Rosita Fanto's novel Rozalia Alone

Orbis Litterarum, EarlyView.
Abstract My article endeavors to redress the neglect of Rosita Fanto's Rozalia Alone (2010), which deals with a page of history that is less known worldwide, the Holocaust in Romania. Using a trauma studies perspective that mixes with affect theory, the article demonstrates that Rozalia Alone covers in a nutshell the whole magnitude of the late 1930s ...
Arleen Ionescu
wiley   +1 more source

The Voice Disrupted: Articulation, Hesitation, and Moral Seriousness in F. R. Leavis's Pedagogy

Critical Quarterly, EarlyView.
Steven Cranfield
wiley   +1 more source

A portrait unseen: Neil Bartlett's queer theatrical adaptation of Wilde's Dorian Gray

Orbis Litterarum, EarlyView.
Abstract Neil Bartlett's 2012 theatrical adaptation of The Picture of Dorian Gray presents a provocative reimagining of Wilde's novel, emphasizing its homoerotic and aesthetic dimensions while engaging with the historical and cultural anxieties surrounding queerness.
Younes Poorghorban
wiley   +1 more source

Somerset Maugham's Failings

Critical Quarterly, EarlyView.
Allan Hepburn
wiley   +1 more source

“Strange can be quite normal”: How the environmental crisis becomes present in Han Kang's and Samanta Schweblin's “constructively alienating” environmental fiction

Orbis Litterarum, EarlyView.
Abstract This article presents the concept “constructive alienation” as a response to the oversaturation of apocalyptic environmental fiction that has contributed to deep‐seated desensitization toward the climate crisis, resulting in crisis of imagination (Ghosh, The Great Derangement: Climate change and the unthinkable, 2016; Solnit, If you win the ...
Agnethe Brounbjerg Bennedsgaard
wiley   +1 more source

‘reportless places’: Janet Malcolm and Collage

Critical Quarterly, EarlyView.
Natalie Ferris
wiley   +1 more source

Radical dystopia: The comic modernism of George Orwell's Nineteen Eighty‐Four

Orbis Litterarum, EarlyView.
Abstract The present essay turns the received view of George Orwell's Nineteen Eighty‐Four on its head, arguing that Orwell's dystopian classic mobilizes the modernist techniques of T. S. Eliot's The Waste Land to lampoon the ideological fatalism of Eliot and other cultural conservatives.
Magnus Ullén
wiley   +1 more source

O carro no cinema: notas para o medo no território cinematográfico

Lumina
O que o carro pode expressar obre a relação entre território urbano, o cinema e o medo? Pensando nisso, o artigo analisa Aquarius (2016), a partir da perspectiva bakhtiniana dialógica do discurso, que parece viabilizar a compreensão do cinema enquanto ...
Luís Henrique Marques Ribeiro
doaj   +1 more source