Results 41 to 50 of about 305 (185)

Making Mining Licit: Gold, Commodification, and the Everyday Performance of Law in Colombia

open access: yesAmerican Anthropologist, EarlyView.
ABSTRACT Ethnographies of resource‐making have shown that the extraction of resource value from objects is premised on obviating the emplaced lifeworlds that surrounded objects before they traveled to consumer markets. Much of this literature looks at such supply‐chain disentanglement from the viewpoint of corporate and formal regulatory practices ...
Jesse Jonkman
wiley   +1 more source

Sobre o som no cinema de horror: padrões recorrentes de estilo

open access: yesC-Legenda - Revista do Programa de Pós-graduação em Cinema e Audiovisual, 2011
Este artigo procura listar alguns recursos estilísticos recorrentes no som do cinema de horror, examinando e discutindo algumas razões pelas quais essas ferramentas narrativas se tornaram populares entre cineastas, compositores e sound designers.
openaire   +1 more source

The Unbecoming Ghost: Spectropolitics in the Making and Unmaking of BHU's Bhoot Vidya Ayurveda Certificate Program

open access: yesAnthropology of Consciousness, EarlyView.
ABSTRACT This essay examines the controversy surrounding the Bhoot Vidya certificate program proposed by the Faculty of Ayurveda at Banaras Hindu University in 2019. Drawing on media coverage, curricular materials, and government policy, I analyze how the debate reveals broader tensions in the politics of contemporary Ayurveda, nationalism, and ...
Thomas Seibel
wiley   +1 more source

Sobre um cinema que arde a 451 graus Fahrenheit

open access: yesTerra Roxa e Outras Terras: Revista de Estudos Literários, 2015
Baseado no romance de Ray Bradbury, o filme Fahrenheit 451, de François Truffaut, constrói-se em torno de uma imagem potente: a de uma pira de livros.
Tiago Lanna Pissolati
doaj   +1 more source

L’univers imaginaire de H. P. Lovecraft au prisme du cinéma d’animation

open access: yesLitteraria Copernicana, 2022
Cet article examine un corpus de films d’animation et présente divers modes d’adaptation et de réécriture. Dans ces variations sur des motifs lovecraftiens, l’hybridation générique est fréquente associant fantasy, horreur et film noir comme dans History
Gilles Menegaldo
doaj   +1 more source

P4s Are Either Unhelpful or Unnecessary. Proposing a Better AI‐Powered Solution to Predict Patients' Preferences

open access: yesBioethics, EarlyView.
ABSTRACT The Personalized Patient Preference Predictor (P4) has been proposed as an AI tool to aid surrogate decision‐making when incapacitated patients lack advance directives. Unlike population‐level Patient Preference Predictors (PPPs), which infer preferences from demographic correlations, P4s fine‐tune large language models (LLMs) on a patient's ...
Beatrice Marchegiani
wiley   +1 more source

Terra e terror em Phase IV, de Saul Bass

open access: yesViso, 2016
Os anos 1970 foram palco de uma onda de filmes do gênero eco-horror, dos quais se destaca Phase IV (1974), único longa-metragem dirigido por Saul Bass.
Juliana Fausto
doaj   +1 more source

THE GENDER ASPECT OF THE HORROR IN SWISS CINEMA OF THE 1980S.

open access: yesВісник Харківського національного університету імені В.Н. Каразіна. Серия: Теорія культури та філософіі науки
The focus of this article is on the phenomenon of the horror, in particular the gender aspect in Swiss horror films of the early 1980s. Initially, it points to the important role of research on the phenomenon of the horror in philosophy and psychology ...
Uliana Abashnik
doaj   +1 more source

A Cinema of Boredom: Heidegger, Cinematic Time and Spectatorship

open access: yesFilm-Philosophy, 2020
Boredom, in cinema as well as in our everyday experience, is usually associated with a generalised loss of meaning or interest. Accordingly, boredom is often perceived as that which ought to be avoided.
Chiara Quaranta
doaj   +1 more source

Direct to Web: uma janela para o cinema de horror amador brasileiro

open access: yesAnagrama, 2016
Este artigo tem por objetivo discutir questões pertinentes ao mercado de cinema amador brasileiro no que tange as produções do gênero cinematográfico horror, com foco no subgênero found footage, considerando a reconfiguração do gênero ao longo do tempo e suas diversas formas de reinventar-se.
openaire   +2 more sources

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