Results 11 to 20 of about 3,874 (267)
Cinéma et urbanité à Tunis sous le protectorat français
L’Année du Maghreb, 2015 The development of cinema in Tunis did not seem, at first, to disrupt the geography of leisure in the city. Movie theaters were mostly located in the city center, favoring the most vibrant streets of the Tunisian capital.
Morgan Corriou
doaj +1 more source
Alphaville: Journal of Film and Screen Media, 2021 In the early twenty-first century, scholars began examining Mexican films as part of a large network of exchanges and influences. While Hester Baer and Bryan Long analysed Alfonso Cuarón’s Y tu mama también (2001) as a prime example of transnational ...
Carolina Rocha
doaj +1 more source
Images, 2023 Research on film culture in the General Government has not yet addressed the issue of Germans going to cinemas. This article aims to ll this gap.
Andrzej Dębski
doaj +1 more source
Cinema Português/Cinema Literário? [PDF]
Aniki: Revista Portuguesa da Imagem em Movimento, 2016 Neste ensaio procura questionar-se o carácter literário do cinema português, incidindo a reflexão quer sobre o género documental, quer sobre a ficção de autor. A hipótese coloca-se a partir de análises de filmes de António Reis, frequentemente apelidado de "cineasta da poesia", e o exercício de questionamento não pretende tanto chegar a uma conclusão ...
openaire +2 more sources
CORPORATE REBRANDING FRAMEWORK BY CGV CINEMAS (CORPORATE REBRANDING FRAMEWORK OLEH CGV CINEMAS)
Edutech, 2018 . The purpose of research are to determine the stages of analysis, planning and eval-uation of corporate rebranding framework of CGV Blitz to be CGV Cinemas. This research uses descriptive method with qualitative data type. Data collection method used in
Silka Khairunnisa +2 more
doaj +1 more source
THE SHIFTING PARADIGM IN INDONESIAN FILM DISTRIBUTION DURING THE COVID-19 PANDEMIC
Profetik, 2022 Cinemas or movie theaters are one of the industries that can hold its own amidst digital disruption. As a means of distribution and exhibition of conventional films, cinemas have the ability to adapt themselves to various digital innovations; starting ...
Muhammad Yunus Patawari +1 more
doaj +1 more source
Le cinéma en Afrique : l’impossible industrie
Mise au Point, 2012 Film production in Africa encounters numerous difficulties while at the same time theaters close down. An essential prerequisite to the possible adoption of appropriate remedies to this situation is an analysis of the causes which led to the extinction ...
Claude Forest
doaj +1 more source
Preferences of streaming platforms users among the youth audience
Вестник университета, 2023 The purposes of this article are the following: to identify online cinemas that are most common among the audience studying or working at the RUDN University and to compare the results of the conducted work with the results of identical materials.
D. V. Medvedev, V. A. Nikitin
doaj +1 more source
Andrea Virginás: Film Genres in Hungarian and Romanian Cinema: History, Theory, Reception
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2022 Film Genres in Hungarian and Romanian Cinema: History, Theory, Reception marks the differences in the ways genre theory and criticism are used in contemporary Eastern European small national cinemas.
Elżbieta Durys
doaj +1 more source
USING THE BLUE OCEAN STRATEGY BY UKRAINIAN CINEMA NETWORKS IN UNCERTAIN ENVIRONMENT
Сучасний стан наукових досліджень та технологій в промисловості, 2020 The subject matter of the article is ukrainian film distribution market. In today's world, the movie rental market is a sector of the economy that has recently shown a trend of stable growth. This process in most European countries is associated with the
Bozhena Sheremeta, Natalia Chukhrai
doaj +1 more source