Results 211 to 220 of about 3,874 (267)
No more government-imposed societal-level COVID-19 control measures but still significant self-experienced burden for severely immunocompromised individuals - A cross-sectional survey in the Netherlands. [PDF]
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Migrant-Led Community Organisations: Mobilising Ethnic Capital to Support Refugees and Asylum Seekers in England. [PDF]
Behav Sci (Basel)Tsegay SM, Dagnew ZA.
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SIGGRAPH 89 Art show catalog - Computer art in context on - SIGGRAPH '89, 1989
The author and his colleagues suggest a criterion for evaluating artistic achievement in the medium of the digital moving image as distinct from other forms of cinema. This criterion is the extent to which the formal possibilities of digital imaging are employed as syntactical or linguistic elements, not simply as ‘special effects’.
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The author and his colleagues suggest a criterion for evaluating artistic achievement in the medium of the digital moving image as distinct from other forms of cinema. This criterion is the extent to which the formal possibilities of digital imaging are employed as syntactical or linguistic elements, not simply as ‘special effects’.
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Journal of Media Practice, 2010
ABSTRACTThis article explores the resurgence of a new mainstream cinema, a new Hollywood cinema (or Bollywood cinema for that matter), which I'm calling multiplex cinema. In the current moment of post-diasporic and post-Internet globalization, which is driven by two seemingly contradictory movements in the world intersecting with each other, I apply ...
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ABSTRACTThis article explores the resurgence of a new mainstream cinema, a new Hollywood cinema (or Bollywood cinema for that matter), which I'm calling multiplex cinema. In the current moment of post-diasporic and post-Internet globalization, which is driven by two seemingly contradictory movements in the world intersecting with each other, I apply ...
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Cinema nel cinema / Cinema in the cinema
2020| Atmosfere evocative e immaginari capaci di rivaleggiare con quelli dei film in proiezione caratterizzano il foyer di Fab Cinema a Xi’an, in Cina. Dove la noia dell’attesa è vinta dalla potente regia della narrazione spaziale, a cura di X+LIVING / Evocative and imaginary atmospheres able to rival those of the films being screened characterize the ...
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Deleuze and Guattari Studies, 2019
In a conference from 1987 on ‘What is the Creative Act?’, Deleuze argues that a fundamental and mysterious affinity subsists between the work of art and the act of resistance. Starting from this statement, Agamben in his echoing text ‘What is the Act of Creation?’ presents an idea of resistance co-essential to power itself.
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In a conference from 1987 on ‘What is the Creative Act?’, Deleuze argues that a fundamental and mysterious affinity subsists between the work of art and the act of resistance. Starting from this statement, Agamben in his echoing text ‘What is the Act of Creation?’ presents an idea of resistance co-essential to power itself.
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Proceedings of the 1st ACM workshop on Story representation, mechanism and context, 2004
Stories make our experiences memorable over time. In constructing and sharing our personal and communal memories, we move in a reflective manner back and forth between our life-world and our life-stories. Advances in network communications and the growing abundance of personal media recording devices provide new opportunities for collecting, examining ...
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Stories make our experiences memorable over time. In constructing and sharing our personal and communal memories, we move in a reflective manner back and forth between our life-world and our life-stories. Advances in network communications and the growing abundance of personal media recording devices provide new opportunities for collecting, examining ...
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Dal cinema alla rete : ovvero : dal cinema al cinema
2012Un'analisi delle condizioni di esistenza del cinema nell'epoca della sua de-istituzionalizzazione, sullo sfondo della diffusione dei media digitali.
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A cinema in the gallery, a cinema in ruins
Screen, 2009This essay examines the contemporary presence of 16 mm in the gallery to argue that anxieties concerning the obsolescence of celluloid have led to a recent proliferation of filmmaking practices that posit the medium specificity of film as linked to the ephemeral, the spectral and the remembrance of failed utopias.
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