Results 31 to 40 of about 44,854 (297)
The Long Take and Camera Movement: The Aesthetic Potential of the Interaction [PDF]
Художественная культураThe article is devoted to studying the aesthetic potential of the long take as an instrument of film language through the consideration of one of the components involved in the formation of the multilevel structure of the take, which is camera movement ...
Bavykina Maria S.
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Techniques for Showing Movement in Digital Photography
Journal of Architecture, Art & Humanistic Science, 2021 Among the arsenal of creative styles of the photographer, we cannot overlook the multiple artistic effects that the movement of subjects in the image allows to appear, which appear as color brush strokes on canvas.
Hesham Marei
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Documenting resistance and memory: a decade of Docudays UA films (2014–2024)
Cogent Arts & HumanitiesThis article provides a mixed-methods analysis of Docudays UA programming from 2014 to 2024, based on a dataset of 399 films. Our findings show remarkable institutional resilience and curatorial evolution, with a stable annual program that shifted ...
Petro Katerynych +2 more
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UWAGI DO WYKŁADNI ART. 19 UST. 1 USTAWY O KINEMATOGRAFII
Zeszyty Prawnicze, 2016 Comments to the Interpretation of art. 19 Clause 1 of the Cinematography Act Summary The text describes a dispute between entities conducting cinemas and film distributors regarding the interpretation of art. 19 clause 1 of the Cinematography Act. The
Mariusz Stanik
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Some Characteristics of the Representation of Stalin’s Image in Soviet Feature Films of the 1930s-1940s [PDF]
Художественная культураThe article analyzes a number of films shot in the 1930s and 1940s, in which the process of gradual sacralization of the image of I.V. Stalin on the Soviet screen can be clearly traced. The main attention is paid to the films which can be included in two
Palshkova Maria A.
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The Influence of Camera Sensor Size on Image Characteristics
Journal of Architecture, Art & Humanistic Science, 2021 The size of the camera sensor has a very important impact on the quality and quantity of details that can be obtained in the image, as is the case in films, the greater the area of the image that is formed on the camera sensor, the less one will have to ...
Hesham Marei
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FEBS Letters, EarlyView.Structural and biochemical characterisations show that the planar cell polarity (PCP) protein Inturned harbours a unique PDZ‐like domain that does not bind canonical PDZ‐binding motifs (PBMs) like that of another PCP protein Vangl2. In contrast, the apical‐basal polarity protein Scribble contains four PDZ domains that bind Vangl2, but one PDZ domain ...
Stephan Wilmes +4 more
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New Technologies - a Source of Inspiration and a Tool for Interactive and Immersive Experiences
Journal of Danubian Studies and Research, 2023 New technologies are influencing the sphere of performing arts with new possibilities for storytelling and the possibility of building a different kind of bridge between artistic creation and spectators.
Vlad Benescu
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Standards for Evaluating Photographic and Cinematic Lenses
Journal of Architecture, Art & Humanistic Science, 2021 For a camera, the lens is the eye. It collects the light rays reflected to it from the scene being photographed, to create an image of this scene on the film or camera sensor. Thus, there is no way to obtain a good image, whether still or motion, without
Hesham Marei
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Story Development in Cinematography [PDF]
, 2011 First off, I’ve got to argue for the use of the word “cinematography” over “camera”. One is to utilize a word I would like to further unpack. Another is to utilize a word that simply implies a relationship to another art form entirely – photography.
Anderson, L
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