Results 31 to 40 of about 1,335 (175)

Cache‐Cache: Dans les souffles du Grand Fleuve…

open access: yesAnthropology of Consciousness, EarlyView.
ABSTRACT Between ventriloquism and divination, devotion and consecration, an old and sublime marine game unfolds each day, with living breaths shared in the waters of the great river. In Tadoussac, on the north shore of the St. Lawrence Estuary, at the mouth of the Saguenay, the rumor of whales has long resonated.
David Jaclin   +3 more
wiley   +1 more source

ИРИНА БАРОНОВА (1919 - 2008): ЗВЕЗДА РУССКОГО БАЛЕТА

open access: yesAccelerando: BJMD, 2022
"Russian Ballet" still remain an emotional and exciting point in the world of ballet art. The ballet world created by Sergei Diaghilev is still hard to beat.
Nikolay Vitsyn
doaj  

Using the capabilities approach to achieve people‐centered conservation

open access: yesConservation Biology, EarlyView.
Abstract Top‐down interventions carried out by state and nonstate institutions to conserve biodiversity and improve the lives of forest‐proximate people (FPP) in the Global South tend to reflect economistic understandings of human well‐being. More progressive and people‐centered conservation projects are guided by normative visions of how the world ...
Arthur Rodrigues   +4 more
wiley   +1 more source

POSTURAL PROFILE OF CLASSICAL BALLERINAS FROM THE VALE DO SÃO FRANCISCO REGION OF BRAZIL

open access: yesColuna/Columna
Objective: The study aimed to determine the association between postural changes and practice of classical ballet among ballerinas from Integrated Administrative Region of Development (RIDE) in Polo Petrolina/PE and Juazeiro/BA.
JANNINI NASCIMENTO RIBEIRO   +5 more
doaj   +1 more source

Об общих графических закономерностях восприятия живописи и балета: мнемоническая форма танца [On some graphic regularities of perception in painting and dance: Mnemonic form of dance]

open access: yesSign Systems Studies, 2003
On some graphic regularities of perception in painting and dance: Mnemonic form of dance. The present article handles some problems of the mechanisms of visual perception in painting and classical ballet.
Maria Goltsman
doaj   +1 more source

Racialized and Sexualized Branding in Japan's Online Eikaiwa Industry: The Objectification of Female Eastern European Teachers

open access: yesInternational Journal of Applied Linguistics, EarlyView.
ABSTRACT This article examines how an online eikaiwa (English conversation) provider in Japan that employs only female Eastern European (particularly Ukrainian) teachers brands them through objectification. Analysis of textual and visual elements of the provider's website and related media, including videos, demonstrates that the teachers are ...
Misako Tajima
wiley   +1 more source

INTERPRETATION OF LITERARY CHARACTERS IN BALLET : EPISODES FROM THE CREATIVE EXPERIENCE OF BORIS EIFMAN [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2017
This article presents a brief analysis of the Boris Eifman Ballet Theatre and especially brings out the relationship between the choreographer, his conception, the new choreographic language and classical literature. Emphasis is laid on the choreographer`
BEȚIȘOR ANGELA
doaj  

Towards semiotically driven empirical studies of ballet as a communicative form

open access: yesHumanities & Social Sciences Communications, 2022
This paper treats dance as a movement-based semiotic system, focusing on classical ballet as an example in order to show how dance can be made accessible to both detailed description and empirical investigation as a form of communication.
Arianna Maiorani   +5 more
doaj   +1 more source

Gendered Harmony and Unsung Collections: Two Debussy Rabbit Holes

open access: yesMusic Analysis, EarlyView.
ABSTRACT This review article on Mark McFarland's The Musical Relationship between Claude Debussy and Igor Stravinsky (2024) offers a critical reading of this recent text and treats its content as a springboard for the exploration of two issues untapped in existing musicological discourse.
Rajan Lal
wiley   +1 more source

Toward a “strong” normativity of fear in Hans Jonas and Aristotle

open access: yesThe Southern Journal of Philosophy, EarlyView.
Abstract What does it mean to say that one “ought” to undergo an emotion? In The Imperative of Responsibility, Hans Jonas provocatively asserts that twentieth‐century citizens “ought” to fear for the well‐being of future generations. I argue that Jonas's demand is not straightforwardly reducible to claims about the fittingness, expedience, or aretaic ...
Magnus Ferguson
wiley   +1 more source

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