Results 41 to 50 of about 3,101 (217)
A century of change in classical ballet teaching: the role of the Royal Academy of dancing/dance in the training of teachers of classical ballet (1900-2000) [PDF]
, 2001 Progressive phases in the evolution of the Royal Academy of Dancing's founding intentions and philosophy have been explored in order to determine the on-going development and contextualisation of the training of classical ballet teachers.
Mitchell, June Campbell
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Sign Systems Studies, 2003 On some graphic regularities of perception in painting and dance: Mnemonic form of dance. The present article handles some problems of the mechanisms of visual perception in painting and classical ballet.
Maria Goltsman
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Toward a “strong” normativity of fear in Hans Jonas and Aristotle
The Southern Journal of Philosophy, EarlyView.Abstract What does it mean to say that one “ought” to undergo an emotion? In The Imperative of Responsibility, Hans Jonas provocatively asserts that twentieth‐century citizens “ought” to fear for the well‐being of future generations. I argue that Jonas's demand is not straightforwardly reducible to claims about the fittingness, expedience, or aretaic ...
Magnus Ferguson
wiley +1 more source
INTERPRETATION OF LITERARY CHARACTERS IN BALLET : EPISODES FROM THE CREATIVE EXPERIENCE OF BORIS EIFMAN [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2017 This article presents a brief analysis of the Boris Eifman Ballet Theatre and especially brings out the relationship between the choreographer, his conception, the new choreographic language and classical literature. Emphasis is laid on the choreographer`
BEȚIȘOR ANGELA
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Towards semiotically driven empirical studies of ballet as a communicative form
Humanities & Social Sciences Communications, 2022 This paper treats dance as a movement-based semiotic system, focusing on classical ballet as an example in order to show how dance can be made accessible to both detailed description and empirical investigation as a form of communication.
Arianna Maiorani +5 more
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Intramuscular pathways of maladaptation in overtraining syndrome
The Journal of Physiology, EarlyView.Abstract figure legend The transition from adaptive overreaching to maladaptive overtraining and mechanisms through which excessive training load can lead to performance decline. Four interconnected pathophysiological domains are highlighted: neural fatigue, involving both central and peripheral components such as altered sensory feedback and reflex ...
Emily Shorter +4 more
wiley +1 more source
German Life and Letters, Volume 79, Issue 3, Page 419-436, July 2026.ABSTRACT This article considers how trans lives are mediated across literary, painterly and filmic registers in Paul B. Preciado's Orlando, My Political Biography (2023). My analysis draws on Andrew Webber's development of reading practices applied to intertextual works that also exhibit interpictorial and interfilmic dynamics in his reading of a scene
Lawrence Alexander
wiley +1 more source
CLASSICAL BALLET PRE-POINTE EDUCATION: AN ANALYSIS OF THE PEDAGOGY FOR THE TRAINING OF YOUNG DANCERS [PDF]
, 2016 The concept of preparing young female dancers for pointe work is not new to ballet education; however, attention to specific pre-pointe training has become more focused in recent years.
Taylor-Spann, Rose
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Movilidad sagital espinal en bailarinas de danza clásica
Revista del Centro de Investigación Flamenco Telethusa, 2020 Classical ballet training focuses on developing very high levels of joint mobility as it is an idiosyncrasy and aesthetic requirement of this artistic discipline.
Fernando Santonja Medina, +3 more
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Studia Universitatis Babeş-Bolyai. Musica, 2022 The ballet can be deconstructed through some mathematized forms as the geometrical lines and trough created symmetries. Once, Paul Klee painted the Abstract Ballet (1937) in the manner that some musicians made innovative experiments in the music, or in ...
Maria-Roxana BISCHIN
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