Results 41 to 50 of about 56,050 (219)
Haunting the Historiography of Slaves in South Asia from the nineteenth century to the present
Gender &History, EarlyView.ABSTRACT Using both English and Urdu‐language records, this article traces the career of a few African and Afro‐Asian women slaves in the household‐state of Awadh during the first half of the nineteenth century. Focusing on the same records, this article compares a master‐poet's recognition of the motherhood of the African and Afro‐Asian slaves to the ...
Indrani Chatterjee
wiley +1 more source
ИРИНА БАРОНОВА (1919 - 2008): ЗВЕЗДА РУССКОГО БАЛЕТА
Accelerando: BJMD, 2022 "Russian Ballet" still remain an emotional and exciting point in the world of ballet art. The ballet world created by Sergei Diaghilev is still hard to beat.
Nikolay Vitsyn
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ҐЕНЕЗА АКАДЕМІЧНОГО БАЛЕТУ: ІСТОРИЧНИЙ РОЗВИТОК, ПЕРСОНАЛІЇ, ВИРАЖАЛЬНІ ЗАСОБИ [PDF]
, 2015 У статі проаналізовано та розглянуто академічний балет як цілісне явище хореографічної культури, а саме класичної хореографії кінця XVIII–XIX століття. Аналізуються дифеніція понять «романтичний балет», «академічний балет». Визначаються їх представники –
Шариков, Д. І.
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The Russian Review, EarlyView.Abstract This article examines the assassination of Duma representative Mikhail Gertsenshtein in July 1906 as the pivotal moment for the emergence of the concept of “right‐wing terrorism” (pravyi terrorizm) in the Russian Empire. Drawing on court documents, police files, and censorship reports, this article argues that the significance of the ...
Moritz Florin
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National Dances of The Nutcracker : A Study of Racial, Cultural, and National Depictions in a Classical Ballet [PDF]
, 2018 Character development is a large component of ballet performance that is integrated into each rehearsal process leading up to the show. In this year’s production of The Nutcracker, I danced the role of Chinese Soloist. As I began my character development,
Hunter-Mason, Meredith
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Toward a “strong” normativity of fear in Hans Jonas and Aristotle
The Southern Journal of Philosophy, EarlyView.Abstract What does it mean to say that one “ought” to undergo an emotion? In The Imperative of Responsibility, Hans Jonas provocatively asserts that twentieth‐century citizens “ought” to fear for the well‐being of future generations. I argue that Jonas's demand is not straightforwardly reducible to claims about the fittingness, expedience, or aretaic ...
Magnus Ferguson
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POSTURAL PROFILE OF CLASSICAL BALLERINAS FROM THE VALE DO SÃO FRANCISCO REGION OF BRAZIL
Coluna/ColumnaObjective: The study aimed to determine the association between postural changes and practice of classical ballet among ballerinas from Integrated Administrative Region of Development (RIDE) in Polo Petrolina/PE and Juazeiro/BA.
JANNINI NASCIMENTO RIBEIRO +5 more
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Sign Systems Studies, 2003 On some graphic regularities of perception in painting and dance: Mnemonic form of dance. The present article handles some problems of the mechanisms of visual perception in painting and classical ballet.
Maria Goltsman
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Towards semiotically driven empirical studies of ballet as a communicative form
Humanities & Social Sciences Communications, 2022 This paper treats dance as a movement-based semiotic system, focusing on classical ballet as an example in order to show how dance can be made accessible to both detailed description and empirical investigation as a form of communication.
Arianna Maiorani +5 more
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Race/Ethnicity and Arts Participation: Findings from the Survey of Public Participation in the Arts [PDF]
, 2010 This report analyzes data from the 1982, 1985, 1992, 2002, and 2008 Surveys of Public Participation in the Arts (SPPA). Analyses focus on differential arts participation by race/ethnicity and the effect of race/ethnicity on arts participation ...
Vincent Welch, Yonghyun Kim
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