Results 41 to 50 of about 1,804 (168)
On some graphic regularities of perception in painting and dance: Mnemonic form of dance. The present article handles some problems of the mechanisms of visual perception in painting and classical ballet.
Maria Goltsman
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Using the capabilities approach to achieve people‐centered conservation
Abstract Top‐down interventions carried out by state and nonstate institutions to conserve biodiversity and improve the lives of forest‐proximate people (FPP) in the Global South tend to reflect economistic understandings of human well‐being. More progressive and people‐centered conservation projects are guided by normative visions of how the world ...
Arthur Rodrigues +4 more
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INTERPRETATION OF LITERARY CHARACTERS IN BALLET : EPISODES FROM THE CREATIVE EXPERIENCE OF BORIS EIFMAN [PDF]
This article presents a brief analysis of the Boris Eifman Ballet Theatre and especially brings out the relationship between the choreographer, his conception, the new choreographic language and classical literature. Emphasis is laid on the choreographer`
BEȚIȘOR ANGELA
doaj
Towards semiotically driven empirical studies of ballet as a communicative form
This paper treats dance as a movement-based semiotic system, focusing on classical ballet as an example in order to show how dance can be made accessible to both detailed description and empirical investigation as a form of communication.
Arianna Maiorani +5 more
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ABSTRACT This article examines how an online eikaiwa (English conversation) provider in Japan that employs only female Eastern European (particularly Ukrainian) teachers brands them through objectification. Analysis of textual and visual elements of the provider's website and related media, including videos, demonstrates that the teachers are ...
Misako Tajima
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Gendered Harmony and Unsung Collections: Two Debussy Rabbit Holes
ABSTRACT This review article on Mark McFarland's The Musical Relationship between Claude Debussy and Igor Stravinsky (2024) offers a critical reading of this recent text and treats its content as a springboard for the exploration of two issues untapped in existing musicological discourse.
Rajan Lal
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Introduction: Classical ballet as a discipline pushes the joints of the lower limbs to the extremes of their capacity. Considering that the joints and ligaments of the foot and ankle are not designed for such excessive loads, "dance injuries" become very
Montoya González, Santiago +5 more
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Movilidad sagital espinal en bailarinas de danza clásica
Classical ballet training focuses on developing very high levels of joint mobility as it is an idiosyncrasy and aesthetic requirement of this artistic discipline.
Fernando Santonja Medina, +3 more
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Hemiolas and Displaced Metric States in Joropo
ABSTRACT Joropo, a Colombian and Venezuelan folk genre, frequently employs simultaneous and successive multi‐level hemiolas, which are often displaced from one another – features which existing models of rhythmic dissonance cannot concisely account for.
Lina S. Tabak
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Intramuscular pathways of maladaptation in overtraining syndrome
Abstract figure legend The transition from adaptive overreaching to maladaptive overtraining and mechanisms through which excessive training load can lead to performance decline. Four interconnected pathophysiological domains are highlighted: neural fatigue, involving both central and peripheral components such as altered sensory feedback and reflex ...
Emily Shorter +4 more
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